Sylvain Cambreling Conducts

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13 Σεπτεμβρίου 2023

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Καλλιτέχνες

Sylvain Cambreling (Μαέστρος)
Ursula Eisert (Harp)Kim Kashkashian (Viola)Roger Muraro (Piano)
SWR Sinfonieorchester Baden-Baden und Freiburg (Ορχήστρα)Saarbrücken Radio Symphony Orchestra (Ορχήστρα)

Contents

Berlioz: Overture, H. 26 “Waverley” /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

Berlioz: Les francs-juges, H. 23 /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

Berlioz: Le roi Lear, Op. 4, H. 53 /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

Berlioz: Intrata di Rob-Roy Macgregor, H. 54 /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

Berlioz: Le carnaval romain Overture, Op. 9 /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

Berlioz: Le Corsaire Overture, Op. 21 /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

Debussy: Images for orchestra, L. 122 /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

No. 1, Gigues

No. 2a, Ibéria. Par les rues et par les chemins

No. 2b, Ibéria. Les parfums de la nuit

No. 2c, Ibéria. Le matin d’un jour de fête

No. 3, Rondes de printemps

Debussy: Danses sacrée et profane /Ursula Eisert, SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

I. Danse sacrée

II. Danse profane

Debussy: La Mer /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

I. De l’aube à midi sur la mer

II. Jeux de vagues

III. Dialogue du vent et de la mer

Ravel: La Valse /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Ravel: Valses nobles et sentimentales /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

No 1. Modéré

No 2. Assez lent

No 3. Modéré – attacca

No 4. Assez animé

No 5. Presque lent

No 6. Assez vif

No 7. Moins vif

No 8. Epilogue. Lent

Ravel: Alborada del gracioso (orchestra version) Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Ravel: Boléro /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Stravinsky: The Rite of Spring /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. The Adoration of the Earth

II. The Augurs of Spring

III. Game of Abduction

IV. Spring Round Dances

V. Games of the Rival Tribes

VI. Procession of the Sage

VII. The Sage

VIII. Dance of the Earth

IX. Introduction

X. Mystical Circles of the Young Girls

XI. Glorification of the Chosen One

XII. Evocation of the Ancestors

XIII. Ritual of the Ancestors

XIV. Sacrificial Dance

Stravinsky: Petrushka /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. The Shrove-Tide Fair

II. In Petrushka’s Cell

III. The Moor’s Room

IV. The Shrove-Tide Fair

Schoenberg: Chamber Symphony No. 2, Op. 38b /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. Adagio

II. Con fuoco

Webern: 6 pieces for orchestra, Op. 6a, III. Zart bewegt /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Debussy: Epigraphes antiques (6) /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. Pour invoquer Pan, dieu du vent d’été

III. Pour que la nuit soit propice

Webern: 6 pieces for orchestra, Op. 6a /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

V. Sehr langsam

VI. Zart bewegt

Debussy: Epigraphes antiques (6) /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

IV. Pour la danseuse aux crotales

II. Pour un tombeau sans nom

Webern: 6 pieces for orchestra, Op. 6a, I. Etwas bewegter /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Debussy: Epigraphes antiques (6), V. Pour L’Égyptienne /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Webern: 6 pieces for orchestra, Op. 6a, IV. Langsam, marcia funebre /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Debussy: Epigraphes antiques (6), VI. Pour remercier la pluie au matin /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Webern: 6 pieces for orchestra, Op. 6a, II. Bewegt /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Berg: 3 Pieces for Orchestra, Op. 6 /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. Präludium

II. Reigen

III. Marsch

Bartók: The Miraculous Mandarin – Suite for orchestra, Op. 19 /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. Introduction (Street Sounds): The Thugs Order the Girl to the Window

II. The Girl Entices the Old Rake

III. The Girl Entices the Young Man

IV. The Girl Entices the Mandarin

V. The Girl Slowly Begins to Dance for the Mandarin

VI. The Dance Concludes: the Mandarin Chases the Girl

Bartók: ‘Deux Images’ for orchestra, Sz 46 /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. En pleine fleur

II. Danse villageoise

Bartók: Concerto for Viola and Orchestra, Op. posth. /Sylvain Cambreling, Saarbrücken Radio Symphony Orchestra, Kim Kashkashian

I. Moderato (attacca)

II. Andante religioso (attacca)

III. Allegro vivace

Janáček: Sinfonietta /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

I. Allegretto

II. Andante

III. Moderato

IV. Allegretto

V. Andante con moto

Janáček: The Fiddler’s Child /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Dutilleux: Symphony No. 2 ‘Le Double’ /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. Animato, ma misterioso

II. Andantino sostenuto

III. Allegro fuocoso. Très calme

Dutilleux: Metaboles /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. Incantatoire. Largamente (attacca)

II. Linéaire. Lento moderato (attacca)

III. Obsessionnel. Scherzando (attacca)

IV. Torpide. Andantino (attacca)

V. Flamboyant. Presto

Ives, C: Symphony No. 4 /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. Prelude. Maestoso

II. Allegretto

III. Fugue. Andante moderato

IV. Largo maestoso

Ives, C: Orchestral Set No. 1 ‘Three Places in New England’ /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

I. The St. Gaudens in Boston Common

II. Putnam’s Camp, Redding, Connecticut

III. The Housatonic at Stockbridge

Ives, C: The Unanswered Question /Sylvain Cambreling, SWR Sinfonieorchester Baden-Baden und Freiburg

Messiaen: Réveil des oiseaux, I / 40 /Roger Muraro, SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

Messiaen: Oiseaux exotiques, I / 41 /Roger Muraro, SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

Messiaen: Chronochromie, I / 43 /SWR Sinfonieorchester Baden-Baden und Freiburg, Sylvain Cambreling

I. Introduction

II. Strophe I

III. Antistrophe I

IV. Strophe II

V. Antistrophe II

VI. Épôde

VII. Coda

When Sylvain Cambreling took up his position at the Südwestrundfunk broadcasting corporation in 1999, he knew only too well that he was the successor to charismatic colleagues such as Hans Rosbaud, Ernest Bour and Michael Gielen, and did not have to be told that the orchestra’s tradition was not geared towards providing wellness experiences for hedonistic listeners. He had been engaged because his programmes were daring, informative, suggestive, epoch-spanning, always a bit brushed the wrong way and disconcerting, reflecting his approach to music as “intellectually stimulating material” that declines to follow the well-beaten tracks of programming. He met with an orchestra that was young, efficient and enthusiastic, and whose members were eager to fulfil the task the broadcasting corporation had set them, namely to demonstrate a strong commitment to new music.

Cambreling was, and still is, enormously hard-working, curious about anything new and complex, possessing a peerless versatility, and blessed with skills as a great communicator, making him the ideal fit for this orchestra and its undertakings. Critical accolades, particularly from the foreign press, regularly (and with some envy) focus on both the qualities and possibilities of the orchestra and the clearly reliable sponsorship it receives from the broadcasting corporation. Just as reliable have been the invitations received from Salzburg, Paris, Berlin, Vienna, Madrid, Lisbon, Lucerne, and Aix-en-Provence.

For someone as industrious as Cambreling, statistics possibly say it all. To this day, for example, he has conducted nearly 120 operas and some 1,000 symphonic/concertante works, a feat probably not matched by any other conductor.