Romeo & Juliet: Tchaikovsky on the Piano – Yevgeny Sudbin

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15 Φεβρουαρίου 2023

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7318599921983

Mikhail Glinka:Ruslan & Lyudmila Overture (Russlan and Ludmilla Overture)
Piotr Ilyich Tchaikovsky:Chant élégiaque, Op. 72, No.14 in D flat majorDumka (Russian Rustic Scene), Op. 59Morceaux (18), Op. 72, No. 16, Valse à cinq tempsMorceaux (2), Op. 10Morceaux (6), Op. 19, No. 4, NocturneRomeo & Juliet – Fantasy OvertureTendres reproches, Op. 72, No. 3 in C sharp minorThe Nutcracker: Waltz of the Flowers (Valse des Fleurs) (Arr. Y. Sudbin for Piano 4 Hands)The Seasons, Op. 37b: June (Barcarolle)The Seasons, Op. 37b: November (Troika)Waltz from Sleeping Beauty, Op. 66 (Arr. Y. Sudbin for Piano 4 Hands)

Αναλυτική Παρουσίαση

Mikhail Glinka:Ruslan & Lyudmila Overture (Russlan and Ludmilla Overture)
Piotr Ilyich Tchaikovsky:Chant élégiaque, Op. 72, No.14 in D flat majorDumka (Russian Rustic Scene), Op. 59Morceaux (18), Op. 72, No. 16, Valse à cinq tempsMorceaux (2), Op. 10Morceaux (6), Op. 19, No. 4, NocturneRomeo & Juliet – Fantasy OvertureTendres reproches, Op. 72, No. 3 in C sharp minorThe Seasons, Op. 37b: June (Barcarolle)The Seasons, Op. 37b: November (Troika)
Yevgeny Sudbin (Piano)
Piotr Ilyich Tchaikovsky:The Nutcracker: Waltz of the Flowers (Valse des Fleurs) (Arr. Y. Sudbin for Piano 4 Hands)Waltz from Sleeping Beauty, Op. 66 (Arr. Y. Sudbin for Piano 4 Hands)
Bella Sudbin (Piano)Yevgeny Sudbin (Piano)

In his liner notes, Yevgeny Sudbin remembers falling in love with Tchaikovsky’s music when he was introduced to classical music. On this album, the pianist presents a collection of piano pieces and arrangements for piano, solo and four hands, of orchestral works by the great Russian composer, preceding it with a curtain raiser much-loved by Tchaikovsky himself: Mikhail Glinka’s Overture to Ruslan and Ludmila. The piano pieces selected by Sudbin spans some twenty years of Tchaikovsky’s career and takes in the ever-popular Barcarolle (June) and Troika (November) from The Seasons as well as three pieces from the composer’s last work for piano, the 18 Pieces, Op. 72. To these are added two waltzes from The Nutcracker and Sleeping Beauty, here performed in four-hand piano arrangements with Sudbin’s 12-year-old daughter Bella playing the ‘primo’ part.

The pièce de resistance of this album, however, is Sudbin’s arrangement of the famous overture-fantasy Romeo and Juliet in which the composer, according to Sudbin, ‘lays bare his soul and where some of his most incredible music can be found’. To the pianist, the rawness and vulnerability of human emotions’ displayed in Tchaikovsky’s music is almost unparalleled, something which his own performance here serve to confirm.