MICHAEL ZADORA: The Complete Recordings

16,00

2 CD 

Κλασική Μουσική 

APR

7 Απριλίου 2016

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Περιγραφή

5024709160082

Ferruccio Busoni:Sonatina No. 3: ad usum infantisSonatina No. 5: in diem nativitatis Christi MCMXVIISonatinas (6) for piano
Johann Sebastian Bach:Sarabanda con partite, BWV 990
Johannes Brahms:Intermezzo in B flat minor, Op. 117 No. 2
Ludwig van Beethoven:Ecossaises
Frédéric François Chopin:Nocturne No. 9 in B major, Op. 32 No. 1Prelude Op. 28 No. 13 in F sharp majorPrelude Op. 28 No. 23 in F majorPrelude Op. 28 No. 6 in B minorPrelude Op. 28 No. 7 in A majorWaltz No. 10 in B minor, Op. 69 No. 2Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' (Valse du petit chien, Little Dog's Waltz)Waltz No. 7 in C sharp minor, Op. 64 No. 2Waltz No. 9 in A flat major, Op. 69 No. 1 'Farewell Waltz' (Abschiedswalzer; 'L'adieu')Étude Op. 25 No. 1 in A flat major 'Aeolian Harp' (Sternenregen-Étude)Étude Op. 25 No. 2 in F minor
Claude Achille Debussy:Pour le Piano: Toccata
Clémont Philibert Léo Delibes:Coppelia – Waltz from Act I (Valse lente)Sylvia – Pizzicato (Variation dansée)
Giuseppe Ferrata:Second Study on Chopin's Waltz, Op. 64 No. 1
John Field:Nocturne No. 5 in B flat major
Leopold Godowsky:Paraphrase on Chopin Etude Op. 25 No. 9
Johann Nepomuk Hummel:Rondo for piano in E flat major, Op. 11
Franz Liszt:Consolation, S. 172 No. 1Consolation, S. 172 No. 2 in E majorConsolation, S. 172 No. 3 in D flat majorConsolation, S. 172 No. 5 in E major
Jacques Offenbach:Barcarolle (from Les Contes d'Hoffmann ) (Belle nuit, ô nuit d'amour)
Giovanni Battista Pergolesi:Se tu m'ami
Sergei Sergeievitch Prokofiev:Prelude in C major, Op. 12 No. 7
Anton Grigorevich Rubinstein:Romance in E flat major, Op. 44 No. 1 'The Night'
Joachim Raff:La Fileuse Op. 157 No. 2
Domenico Scarlatti:Pastorale
Giovanni Sgambati:Prelude in E flat major Op. 6
Michael Zadora:Meine Puppe TanztThe Prima Ballerina

Καλλιτέχνες

Michael Zadora (Piano)

Michael Zadora is one of the most obscure pianists to have recorded prolifically in the 78rpm era. Only a handful of 78s have ever been reissued, and no LP or CD has ever been devoted to him. It would appear that his concert career was also not particularly high profile, yet from these recordings it seems he was a very significant artist. Perhaps the answer lies in his background. He was born in New York of aristocratic Polish parents but returned to Europe to study and was a pupil of Leshetizky and Barth (who also taught Rubinstein). After the First World War he became a disciple of Busoni and indeed played for the great artist on his deathbed. Zadora seems to have been a rather reserved character, much more an intellectual than someone who enjoyed public performance and it is likely that family wealth allowed him the luxury of not having to pursue his career too aggressively. On the other hand, studio recording suited him very well indeed, and he seems equally at home in the standard repertoire, such as Chopin, and in more rarefied material, such as the Busoni Sonatinas, where we are undoubtedly hearing an interpretation very close to that of the composer himself. Of particular interest are Zadora’s own unusual transcriptions and also the works of ‘Pietro Amadis’ who was actually a pseudonym of the pianist.

These very rare recordings should be of particular interest to all lovers of historic piano playing.

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