1914: Louis Vierne & Charles Koechlin

16,50

1 CD 

Classical Music 

Gramola Vienna

7 November 2023

In stock

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Description

9003643990401

Charles Koechlin:Violin Sonata, Op. 64
Louis Vierne:12 Préludes Op. 36 (No. 1, Prologue, No. 2, Tendresse, No. 3, Pressentiment, No. 7, Evocation d'un jour d'angoisse & No. 10, Sur une tombe)Piano Quintet in C minor Op. 42

Detailed Presentation

Charles Koechlin:Violin Sonata, Op. 64
Tamara Atschba (Piano)Louise Chisson (Violin)
Louis Vierne:12 Préludes Op. 36 (No. 1, Prologue, No. 2, Tendresse, No. 3, Pressentiment, No. 7, Evocation d'un jour d'angoisse & No. 10, Sur une tombe)
Tamara Atschba (Piano)
Louis Vierne:Piano Quintet in C minor Op. 42
Matthias Adensamer (Violin)Tamara Atschba (Piano)Louise Chisson (Violin)Christophe Pantillon (Cello)Alexander Znamensky (Viola)

With the album 1914, the French Cultural Institute is celebrating the 100th anniversary of the outbreak of the First World War in co-operation with Gramola. Many works of the war years testify to the suffering and the power of destruction, such as the Quintet for Piano and String Quartet in C minor op. 42 (1917/18) by Louis Vierne, which he wrote in memory of his murdered son. In addition, the album also contains compositions apparently unaffected by the horrors of the time, like the Preludes for Piano op. 38 (1914/15) by Vierne or the Sonata for Violin and Piano op. 64 (1915/16) by Charles Koechlin, which is kept entirely in the Impressionist manner. You can hear Louise Chisson, violin, and Tamara Atschba, piano, as well as Matthias Adensamer, Alexander Znamensky and Christophe Pantillon with a musical commemoration of the year 1914.

Reviews

BBC Music Magazine November 2014

“Radiantly inspired, and beguilingly engineered, performances, which bring these unjustly neglected scores to life. Notably sensitive piano playing from Tamara Atschba. – 5 out of 5 stars

MusicWeb International 2nd December 2014

“The resolute performances on this release are compelling and communicate a wide range of often intense emotions. The security of group intonation is resolute with an appealing tone production from each instrument.