J. S. Bach: Organ Works, Vol. 4 – Masaaki Suzuki

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19 August 2023

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7318599925417

Johann Sebastian Bach:Chorale Prelude BWV599 'Nun komm, der Heiden Heiland'Chorale Prelude BWV600 'Gott, durch deine Guete'Chorale Prelude BWV601 'Herr Christ, der ein'ge Gottessohn'Chorale Prelude BWV602 'Lob sei dem allmächtigen Gott'Chorale Prelude BWV603 'Puer natus in Bethlehem'Chorale Prelude BWV604 'Gelobet seist du, Jesu Christ'Chorale Prelude BWV605 'Der Tag, der ist so freudenreich'Chorale Prelude BWV606 'Von Himmel hoch, da komm' ich her'Chorale Prelude BWV607 'Vom Himmel kam der Engel Schaar'Chorale Prelude BWV608 'In dulci jubilo'Chorale Prelude BWV609 'Lobt Gott, ihr Christen, allzugleich'Chorale Prelude BWV610 'Jesu, meine Freude'Chorale Prelude BWV611 'Christum wir sollen loben schon'Chorale Prelude BWV612 'Wir Christenleut'Chorale Prelude BWV613 'Helft mir Gottes Güte preisen'Chorale Prelude BWV614 'Das alte Jahr vergangen ist'Chorale Prelude BWV615 'In dir ist Freude'Chorale Prelude BWV616 'Mit Fried' und Freud'ich fahr dahin'Chorale Prelude BWV617 'Herr Gott, nun schleuß den Himmel auf'Chorale Prelude BWV618 'O Lamm Gottes, unschuldig'Chorale Prelude BWV619 'Christe, du Lamm Gottes'Chorale Prelude BWV620 'Christus, der uns selig macht'Chorale Prelude BWV621 'Da Jesus an dem Kreuze stund'Chorale Prelude BWV622 'O Mensch, bewein' dein' Sünde groß'Chorale Prelude BWV623 'Wir danken dir, Herr Jesu Christ'Chorale Prelude BWV624 'Hilf Gott, dass mir's gelinge'Prelude & Fugue in A minor, BWV543Prelude & Fugue in C minor, BWV549

Artists

Masaaki Suzuki (Organ)

The fourth volume of Masaaki Suzuki’s Bach works for organ series features one of the most important surviving instruments of Bach’s time, made by the German organ builder Christoph Treutmann the Elder. Widely known for its extraordinary tonal quality, the instrument was built between 1734 and 1737. A recent general restoration preserved all essential structural elements or renewed them, remaining faithful to the originals, making it an ideal instrument for Bach interpreters who wish to come close to the sound ideas of the Leipzig Thomaskantor.

Suzuki now takes up the Orgel-Büchlein (literally, ‘little organ book’), a collection of 45 short chorale preludes on melodies from the Lutheran hymn book, a project that came into being in connection with Bach’s appointment as organist and chamber musician at the Duke’s court in Weimar in 1708. Presenting chorales for different periods of the church year, this collection serves as a general guide to text-based composition focusing on specific word-sound relationships and content-specific musical expression. Two Preludes and Fugues complete the first volume dedicated to the Orgel-Büchlein, illustrating the principle of variety and structure historically practised by concert organists in order to demonstrate the tone colours and expressive possibilities of their instrument.

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