Description
Artists
|
Uccellini, Marco (1603–80) Sonate over Canzone, Op. 5, Violin Sonata No. 1 in D Major “La musica” /Timothy Roberts (harpsichord), Noxwode Sonate, correnti et arie, Op. 4 /Conor Gricmanis, Timothy Roberts (harpsichord), Noxwode Violin Sonata No. 1 in A Major “La vittoria trionfante” Violin Sonata No. 2 in G Minor “La Luciminia contenta” Violin Sonata No. 3 in E Major “La ebrea maritata” Violin Sonata No. 4 in C Minor “La Hortensia virtuosa” Sonate, arie et correnti, Op. 3, Sonata No. 4 for 2 Violins in G Major “La trasformata” /Bojan Čičić (violin), Noxwode Sonate, correnti et arie, Op. 4, Violin Sonata No. 5 in C Minor “La Laura rilucente” & Violin Sonata No. 12 in A Major /Conor Gricmanis (violin), Timothy Roberts, Noxwode Sonate, arie et correnti, Op. 3, Violin Sonata No. 1 in A Minor “La poggia” /Noxwode Sonate, correnti et arie, Op. 4, Sonata No. 18 for 2 Violins in A Major /Timothy Roberts, Noxwode Sonate over Canzone, Op. 5, Violin Sonata No. 4 in A Minor “La bugia” /Noxwode Sonate, arie et correnti, Op. 3, No. 5, Aria sopra “La Bergamasca” /Timothy Roberts (harpsichord), Noxwode The young violinist Conor Gricmanis and his early music ensemble Noxwode, have recorded rare and beautiful violin sonatas by the early Italian Baroque composer Marco Uccellini for FHR. Uccellini’s sonatas for violin and continuo contributed to the development of an idiomatic style of writing for the violin (including virtuosic runs, leaps, and forays into high positions), expanding the instrument’s technical capabilities and expressive range. This stylus fantasticus genre is evident in this recording, providing ample opportunities for the soloists and ensemble to personalise their interpretations. On this recording, Gricmanis plays what is believed to be the oldest fully playable violin in the world, a 450 year old Andrea Ama made in 1572. |
