Description
5054197360749
Wolfgang Amadeus Mozart:Così fan tutte, K588: OvertureDer Schauspieldirektor, K486: OvertureDie Entführung aus dem Serail, K384: OvertureDie Zauberflöte, K620: OvertureDon Giovanni, K527: OvertureIdomeneo, K366: OvertureLa clemenza di Tito, K621: OvertureLa finta giardiniera, K196: OvertureLe Nozze di Figaro K492 – SinfoniaLucio Silla, K135: OvertureMarch K215March in D K237March, K189Notturno in D major K286Serenade No. 10 in B flat major, K361 'Gran Partita'Serenade No. 11 in E flat major, K375Serenade No. 12 in C minor, K388Serenade No. 13 in G major, K525 'Eine kleine Nachtmusik'Serenade No. 3 in D major, K185 (K167a) 'Antretter'Serenade No. 4 in D major, K203 'Colloredo'Serenade No. 5 in D major, K204Serenade No. 6 in D major, K239 'Serenata Notturna'Serenade No. 7 in D major, K250 'Haffner'Serenade No. 9 in D major, K320 'Posthorn'Symphony No. 25 in G minor, K183Symphony No. 26 in E flat major, K184Symphony No. 28 in C major, K200Symphony No. 29 in A major, K201Symphony No. 30 in D major, K202Symphony No. 31 in D, K297 'Paris'Symphony No. 32 in G major, K318Symphony No. 33 in B flat major, K319Symphony No. 34 in C major, K338Symphony No. 35 in D major, K385 'Haffner'Symphony No. 36 in C major, K425 'Linz'Symphony No. 38 in D major, K504 'Prague'Symphony No. 39 in E flat major, K543Symphony No. 40 in G minor, K550Symphony No. 41 in C major, K551 'Jupiter'
Artists
Nikolaus Harnoncourt (Conductor)
Detailed Presentation
Wolfgang Amadeus Mozart:Così fan tutte, K588: OvertureDer Schauspieldirektor, K486: OvertureDon Giovanni, K527: OvertureLe Nozze di Figaro K492 – SinfoniaLucio Silla, K135: OvertureSymphony No. 25 in G minor, K183Symphony No. 26 in E flat major, K184Symphony No. 28 in C major, K200Symphony No. 29 in A major, K201Symphony No. 30 in D major, K202Symphony No. 31 in D, K297 'Paris'Symphony No. 32 in G major, K318Symphony No. 33 in B flat major, K319Symphony No. 34 in C major, K338Symphony No. 35 in D major, K385 'Haffner'Symphony No. 36 in C major, K425 'Linz'Symphony No. 38 in D major, K504 'Prague'Symphony No. 39 in E flat major, K543Symphony No. 40 in G minor, K550Symphony No. 41 in C major, K551 'Jupiter'
Royal Concertgebouw Orchestra (Orchestra)Nikolaus Harnoncourt (Conductor)
Wolfgang Amadeus Mozart:La finta giardiniera, K196: OvertureMarch K215March in D K237March, K189Notturno in D major K286Serenade No. 13 in G major, K525 'Eine kleine Nachtmusik'Serenade No. 3 in D major, K185 (K167a) 'Antretter'Serenade No. 5 in D major, K204Serenade No. 6 in D major, K239 'Serenata Notturna'
Concentus musicus Wien (Early Music Ensemble)
Nikolaus Harnoncourt (Conductor)
Wolfgang Amadeus Mozart:Serenade No. 10 in B flat major, K361 'Gran Partita'Serenade No. 11 in E flat major, K375Serenade No. 12 in C minor, K388
Wiener Mozart-Bläser (Wind Ensemble)
Nikolaus Harnoncourt (Conductor)
Wolfgang Amadeus Mozart:Serenade No. 4 in D major, K203 'Colloredo'
Thomas Zehetmair (Violin)
Concentus musicus Wien (Early Music Ensemble)
Nikolaus Harnoncourt (Conductor)
Wolfgang Amadeus Mozart:Serenade No. 7 in D major, K250 'Haffner'
Thomas Zehetmair (Violin)
Staatskapelle Dresden (Orchestra)Nikolaus Harnoncourt (Conductor)
Wolfgang Amadeus Mozart:Serenade No. 9 in D major, K320 'Posthorn'
Peter Damm (Horn)
Staatskapelle Dresden (Orchestra)Nikolaus Harnoncourt (Conductor)
Wolfgang Amadeus Mozart:Die Entführung aus dem Serail, K384: OvertureDie Zauberflöte, K620: OvertureIdomeneo, K366: OvertureLa clemenza di Tito, K621: Overture
Zurich Opera House Orchestra (Orchestra)Nikolaus Harnoncourt (Conductor)
|
In 1953, Nikolaus Harnoncourt founded the Concentus Musicus with colleagues from Karajan’s Vienna Symphony Orchestra. His “ancient music” ensemble never pursued a revolution: “Musicology and historical instruments are not an end in themselves”, says Harnoncourt, “I prefer an interpretation that is historically uninformed but musically alive.” After decades playing and recording Baroque works on historical instruments, he extended his repertoire to Classic, Romantic and 20th-Century music, conducting Europe’s top “modern” orchestras. “Mozart was no innovator, but his personal style has an unfathomable grandeur. Whoever plays his music with a modern orchestra must absolutely explore the original sound characteristics.” This box set highlights both Harnoncourt’s recordings with the Concentus’ ancient instrumentarium, and his new approach with Amsterdam’s Concertgebouw, always historically informed, groundbreaking, brimming with emotion.
|
