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In the 19th century, composers sought inspiration in poetry, and the simplicity and modesty of folk songs. Romances reflecting on loneliness, betrayed love and the misery of the abandoned occupied a special position in Russian lyric poetry in the first half of the 19th century, represented by A. S. Pushkin and other writers. Based on the Romantic poets’ works, composers expressed their own intimate feelings, as well as muted defiance. One of the first to have written romances was Mikhail Glinka, the founder of the Russian nationalist music school. A whole generation of his successors, including P. I. Tchaikovsky, embraced the genre, creating numerous romances, mainly set to contemporary Russian poetry. Especially noteworthy among such works is M. P. Mussorgsky’s cycle Songs and Dances of Death, made up of four pieces depicting the horror and bizarreness of death, referred to by the composer as “danse macabre”. Jozef Benci is a highly esteemed opera and oratorio singer, a soloist of the Slovak National Theatre in Bratislava, who has worked with the Czech Philharmonic and the BBC Symphony Orchestra, conducted by Jirí Belohlávek, performed with Edita Gruberová and other renowned artists. Owing to his robust, yet highly sensitively led voice, a remarkable sense for songs’ intimate nature, as well as an immaculate diction, he is a brilliant performer of Russian romances. Contents Glinka: Doubt (Somneniye) Glinka: Ne iskushay menya bez nuzhdi Glinka: To Molly Glinka: Ne govori, chto serdtsu bol’no (Say not that it grieves the heart) Tchaikovsky: Do not ask, Op. 57 No. 3 Tchaikovsky: The mild stars shone for us, Op. 60 No. 12 Tchaikovsky: Noch’ (Night), Op. 60 No. 9 Sheremetiev, B: I Loved You Gurilyov, A: The Lovely Bird Has Flown Dargomïzhsky: I remember Cui: The Fountain Statue at Tsarskoye Selo, Op. 57 No. 17 Mussorgsky: Lullaby (No. 1 from Songs and Dances of Death) Mussorgsky: Serenade (No. 2 from Songs and Dances of Death) |
