Description
Artists
Christian Thielemann (Conductor)
| No | Title | Duration |
|---|---|---|
| Hans Pfitzner (1869 – 1949) | ||
| Palestrina – Musical Legend In Three Acts | ||
| 1 | Prelude to Act I. Ruhig (Andante) | (7:31) |
| 2 | Prelude to Act II. Mit Wucht und Wildheit | (6:52) |
| 3 | Prelude to Act III. Langsam, sehr getragen | (7:58) |
| Das Herz, Op. 39 | ||
| 4 | Love Theme. Sehr ruhig, lieblich (Molto tranquillo, dolce) | (7:12) |
| Das Käthchen von Heilbronn, op.17 | ||
| 5 | Overture, op.17a. Kräftig, frisch und schnell | (16:30) |
| Richard Strauss (1864 – 1949) | ||
| Guntram op.25 | ||
| 6 | Prelude to Act 1 Mässig langsam | (11:33) |
| Capriccio, Op.85, TrV 279 | ||
| 7 | 1. Prelude (String Sextet) | (11:03) |
| Feuersnot | ||
| 8 | Vorspiel. Gebt's uns a Holz zum Subendfeuer | (6:37) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| Total Playing Time 1:15:16 | ||
| CD 2: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Ludwig van Beethoven (1770 – 1827) | ||
| Symphony No. 5 in C Minor, Op. 67 | ||
| 1 | 1. Allegro con brio | (8:01) |
| 2 | 2. Andante con moto | (11:50) |
| 3 | 3. Allegro | (5:58) |
| 4 | 4. Allegro | (10:55) |
| Symphony No. 7 in A Major, Op. 92 | ||
| 5 | 1. Poco sostenuto – Vivace | (13:34) |
| 6 | 2. Allegretto | (9:40) |
| 7 | 3. Presto – Assai meno presto | (9:17) |
| 8 | 4. Allegro con brio | (7:02) |
| Philharmonia Orchestra, Christian Thielemann | ||
| Total Playing Time 1:16:17 | ||
| CD 3: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Ludwig van Beethoven (1770 – 1827) | ||
| Trauerkantate auf den Tod Kaiser Josephs II: WoO 87 (1790) | ||
| 1 | 1. Chor und Soli: "Tot! Tot, stöhnt es durch die öde Nacht" | (9:48) |
| Charlotte Margiono, Veronica Verebely, Ulrike Helzel, Clemens Bieber, William Shimell, Chor der Deutschen Oper Berlin, Karl Kamper, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 2 | 2. Rezitativ: "Ein Ungeheuer, sein Name Fanatismus" | (1:11) |
| 3 | Arie: "Da kam Joseph" | (5:06) |
| William Shimell, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 4 | 3. Arie mit Chor: "Da stiegen die Menschen an's Licht" | (6:23) |
| Charlotte Margiono, Chor der Deutschen Oper Berlin, Karl Kamper, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 5 | 4. Rezitativ: "Er schläft, von den Sorgen seiner Welt entladen" | (2:54) |
| 6 | Arie: "Hier schlummert seinen stillen Frieden der grosse Dulder" | (8:14) |
| Charlotte Margiono, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 7 | 5. Chor und Soli: "Tot, Tot, stöhnt es durch die öde Nacht" | (10:20) |
| Charlotte Margiono, Veronica Verebely, Ulrike Helzel, Clemens Bieber, William Shimell, Chor der Deutschen Oper Berlin, Karl Kamper, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| Kantate auf die Erhebung Leopolds II. zur Kaiserwürde WoO 88 | ||
| 8 | 1. Rezitativ: "Er schlummert" – "Lasst sanft den grossen Fürsten ruhen!" | (4:23) |
| Christine Schäfer, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Karl Kamper | ||
| 9 | Arie: "Fiesse, Wonnezähre, fliesse!" | (12:08) |
| Christine Schäfer, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 10 | 2. Rezitativ: "Ihr staunt, Völker der Erde!" | (0:50) |
| Victor von Halem, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 11 | 3. Rezitativ: "Wie bebt mein Herz vor Wonne!" | (0:56) |
| Clemens Bieber, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 12 | Terzett: "Ihr, die Joseph ihren Vater nannten" | (4:15) |
| Clemens Bieber, Victor von Halem, Christine Schäfer, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 13 | 4. Chor: "Heil! Stürzet nieder, Millionen" | (5:10) |
| Christine Schäfer, Ulrike Helzel, Clemens Bieber, Victor von Halem, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin | ||
| Total Playing Time 1:11:38 | ||
| CD 4: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Robert Schumann (1810 – 1856) | ||
| 1 | Overture Manfred, Op.115 | (14:47) |
| Philharmonia Orchestra, Christian Thielemann | ||
| Konzertstück op.86 in F for 4 Horns and Orchestra | ||
| 2 | 1. Lebhaft – | (7:19) |
| 3 | 2. Romanze | (5:47) |
| 4 | 3. Sehr lebhaft | (5:41) |
| Nigel Black, Laurence Davies, Laurence Rogers, Peter Blake, Philharmonia Orchestra, Christian Thielemann | ||
| Symphony No. 2 in C Major, Op. 61 | ||
| 5 | 1. Sostenuto assai – Un poco più vivace – Allegro ma non troppo – Con fuoco | (12:53) |
| 6 | 2. Scherzo (Allegro vivace) | (8:03) |
| 7 | 3. Adagio espressivo | (12:08) |
| 8 | 4. Allegro molto vivace | (9:01) |
| Philharmonia Orchestra, Christian Thielemann | ||
| Total Playing Time 1:15:39 | ||
| CD 5: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Richard Wagner (1813 – 1883) | ||
| Die Meistersinger von Nürnberg, WWV 96 | ||
| 1 | Overture | (10:24) |
| Lohengrin, WWV 75 | ||
| 2 | Prelude To Act I | (9:43) |
| Act 3 | ||
| 3 | Prelude to Act III | (3:06) |
| Parsifal, WWV 111 | ||
| 4 | Prelude | (13:31) |
| Act 3 | ||
| 5 | Karfreitagszauber | (12:39) |
| Tristan und Isolde, WWV 90 | ||
| 6 | Prelude to Act 1. Langsam und schmachtend | (11:59) |
| Act 3 | ||
| 7 | "Mild und leise wie er lächelt" (Isoldes Liebestod) | (8:28) |
| Philadelphia Orchestra, Christian Thielemann | ||
| Total Playing Time 1:09:50 | ||
| CD 6: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Carl Orff (1895 – 1982) | ||
| Carmina Burana | ||
| Fortuna Imperatrix Mundi | ||
| 1 | "O Fortuna" | (2:32) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin | ||
| 2 | "Fortune plango vulnera" | (2:42) |
| 3 | "Veris leta facies" | (4:26) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne | ||
| 4 | "Omnia Sol temperat" | (2:23) |
| Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 5 | "Ecce gratum" | (2:43) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne | ||
| Uf dem Anger | ||
| 6 | Dance | (1:48) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 7 | "Floret silva nobilis" | (3:24) |
| 8 | "Chramer, gip die varwe mir" | (3:29) |
| 9 | "Swaz hie gat umbe" – "Chume, chum geselle min" | (5:20) |
| 10 | "Were diu werlt alle min" | (0:56) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne | ||
| 11 | "Estuans interius" | (2:23) |
| Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 12 | "Olim lacus colueram" | (3:32) |
| David Kübler, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne | ||
| 13 | "Ego sum abbas" | (1:30) |
| Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne | ||
| 14 | "In taberna quando sumus" | (3:09) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne | ||
| 15 | "Amor volat undique" | (3:31) |
| Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann, Knabenchor Berlin, Karl-Ludwig Hecht | ||
| 16 | "Dies, nox et omnia" | (2:27) |
| Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 17 | "Stetit puella" | (2:06) |
| Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 18 | "Circa mea pectora" | (2:07) |
| 19 | "Si puer cum puellula" | (1:05) |
| Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne | ||
| 20 | "Veni, veni, venias" | (0:58) |
| Christian Thielemann, Orchester der Deutschen Oper Berlin, Helmut Sonne | ||
| 21 | "In trutina" | (2:26) |
| Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne | ||
| 22 | "Tempus est iocundum" | (2:22) |
| Christiane Oelze, Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne, Knabenchor Berlin, Karl-Ludwig Hecht | ||
| 23 | "Dulcissime" | (0:29) |
| Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| Blanziflor et Helena | ||
| 24 | "Ave formosissima" | (2:13) |
| Fortuna Imperatrix Mundi | ||
| 25 | 1. O Fortuna | (2:34) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin, Helmut Sonne | ||
| Total Playing Time 1:02:35 | ||
| CD 7: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Robert Schumann (1810 – 1856) | ||
| 1 | Overture Genoveva, Op.81 | (8:59) |
| Overture, Scherzo, and Finale, Op.52 | ||
| 2 | 1. Overture (Andante con moto – allegro) | (7:10) |
| 3 | 2. Scherzo (vivo) | (4:36) |
| 4 | 3. Finale (Allegro molto vivace) | (8:18) |
| Symphony No. 3 in E flat major, Op. 97 "Rhenish" | ||
| 5 | 1. Lebhaft | (10:26) |
| 6 | 2. Scherzo (Sehr mäßig) | (7:21) |
| 7 | 3. Nicht schnell | (5:59) |
| 8 | 4. Feierlich | (5:29) |
| 9 | 5. Lebhaft | (6:16) |
| Philharmonia Orchestra, Christian Thielemann | ||
| Total Playing Time 1:04:34 | ||
| CD 8: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Arnold Schoenberg (1874 – 1951) | ||
| Pelleas und Melisande, Op.5 | ||
| 1 | Die Achtel ein wenig bewegt – zögernd | (4:16) |
| 2 | Heftig | (3:29) |
| 3 | Ciff. 9: Lebhaft | (4:22) |
| 4 | Ciff. 16: Sehr rasch | (7:45) |
| 5 | Ciff. 33: Ein wenig bewegt | (1:24) |
| 6 | Ciff. 36: Langsam | (3:27) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| 7 | Ciff. 43: Ein wenig bewegter | (4:36) |
| 8 | Ciff. 50: Sehr langsam | (5:11) |
| 9 | Ciff. 55: Etwas bewegt | (2:24) |
| 10 | Ciff. 59: In gehender Bewegung | (2:37) |
| 11 | Ciff. 62: Breit | (6:19) |
| Christian Thielemann, Orchester der Deutschen Oper Berlin | ||
| Richard Wagner (1813 – 1883) | ||
| 12 | Siegfried Idyll, WWV 103 | (19:16) |
| Orchester der Deutschen Oper Berlin, Christian Thielemann | ||
| Total Playing Time 1:05:06 | ||
| CD 9: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Richard Strauss (1864 – 1949) | ||
| Eine Alpensinfonie, Op.64, TrV 233 | ||
| 1 | Nacht | (2:54) |
| 2 | Sonnenaufgang | (1:19) |
| 3 | Der Anstieg | (2:18) |
| 4 | Eintritt in den Wald-Wanderung neben dem Bache | (6:16) |
| 5 | Am Wasserfall – Erscheinung | (1:07) |
| 6 | Auf blumige Wiesen | (0:55) |
| 7 | Auf der Alm | (1:53) |
| 8 | Durch Dickicht und Gestrüpp auf Irrwegen | (2:11) |
| 9 | Auf dem Gletscher | (1:16) |
| 10 | Gefahrvolle Augenblicke | (1:32) |
| 11 | Auf dem Gipfel | (4:44) |
| Wiener Philharmoniker, Christian Thielemann | ||
| 12 | Vision | (3:46) |
| Wiener Philharmoniker, Christian Thielemann, Anton Holzapfel | ||
| 13 | Nebel steigen auf – Die Sonne verdüstert sich allmählich – Elegie – Stille vor dem Sturm | (6:46) |
| 14 | Gewitter und Sturm, Abstieg | (4:07) |
| 15 | Sonnenuntergang | (3:02) |
| Anton Holzapfel, Wiener Philharmoniker, Christian Thielemann | ||
| 16 | Ausklang | (6:26) |
| 17 | Nacht | (2:23) |
| Wiener Philharmoniker, Christian Thielemann, Anton Holzapfel | ||
| Concert Suite From "Der Rosenkavalier", TrV 227d | ||
| 18 | Con moto agitato | (9:08) |
| 19 | Allegro molto | (0:40) |
| 20 | Tempo di Valse, assai comodo da primo | (5:42) |
| 21 | Moderato molto sostenuto | (6:14) |
| 22 | Quick Waltz. Molto con moto | (2:27) |
| Wiener Philharmoniker, Christian Thielemann | ||
| Total Playing Time 1:17:06 | ||
| CD 10: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Robert Schumann (1810 – 1856) | ||
| Symphony No .1 in B Flat Major, Op. 38 "Spring" | ||
| 1 | 1. Andante un poco maestoso – Allegro molto vivace | (12:19) |
| 2 | 2. Larghetto | (7:04) |
| 3 | 3. Scherzo (Molto vivace) | (6:15) |
| 4 | 4. Allegro animato e grazioso | (9:13) |
| Symphony No. 4 in D Minor, Op. 120 | ||
| 5 | 1. Ziemlich langsam – Lebhaft | (11:57) |
| 6 | 2. Romanze (Ziemlich langsam) | (5:00) |
| 7 | 3. Scherzo | (6:20) |
| 8 | 4. Langsam – Lebhaft – Schneller – Presto | (10:31) |
| Philharmonia Orchestra, Christian Thielemann | ||
| Total Playing Time 1:08:39 | ||
| CD 11: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Richard Strauss (1864 – 1949) | ||
| 1 | Symphonische Fantasie aus Die Frau ohne Schatten, TrV 234a | (21:54) |
| Wiener Philharmoniker, Christian Thielemann | ||
| Ein Heldenleben, Op. 40, TrV 190 | ||
| 2 | Der Held | (4:23) |
| 3 | Des Helden Widersacher | (3:42) |
| Rainer Honeck, Wiener Philharmoniker, Christian Thielemann | ||
| 4 | Des Helden Gefährtin | (12:33) |
| 5 | Des Helden Walstatt | (7:42) |
| 6 | Des Helden Friedenswerke | (6:30) |
| 7 | Des Helden Weltflucht und Vollendung | (12:16) |
| Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | ||
| Total Playing Time 1:09:00 | ||
| CD 12: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Felix Mendelssohn (1809 – 1847) | ||
| 1 | A Midsummer Night's Dream, Op. 21: Overture | (13:08) |
| Carl Maria von Weber (1786 – 1826) | ||
| Euryanthe, Op. 81, J. 291 | ||
| 2 | Overture | (8:35) |
| Oberon, J. 306 | ||
| 3 | Overture | (10:15) |
| Felix Mendelssohn (1809 – 1847) | ||
| The Hebrides, Op. 26 – "Fingal's Cave" | ||
| 4 | Allegro moderato | (10:21) |
| Otto Nicolai (1810 – 1849) | ||
| Die lustigen Weiber von Windsor | ||
| 5 | Overture | (8:49) |
| Heinrich August Marschner (1795 – 1861) | ||
| Hans Heiling, Op. 80 | ||
| 6 | Overture | (8:29) |
| Richard Wagner (1813 – 1883) | ||
| Rienzi, WWV 49 | ||
| 7 | Overture | (11:42) |
| Wiener Philharmoniker, Christian Thielemann | ||
| Total Playing Time 1:11:19 | ||
| CD 13: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Anton Bruckner (1824 – 1896) | ||
| Symphony No. 5 in B-Flat Major, WAB 105 | ||
| Edition: Robert Haas | ||
| 1 | 1. Introduction. Adagio – Allegro | (22:24) |
| 2 | 2. Adagio. Sehr langsam | (20:07) |
| 3 | 3. Scherzo. Molto vivace (Schnell) – Trio im gleichen Tempo | (14:42) |
| 4 | 4. Finale. Adagio – Allegro moderato | (25:21) |
| Münchner Philharmoniker, Christian Thielemann | ||
| Total Playing Time 1:22:34 | ||
| CD 14: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Wolfgang Amadeus Mozart (1756 – 1791) | ||
| Requiem in D Minor, K. 626 | ||
| Completed by Joseph Eybler & Franz Xaver Süssmayr | ||
| 1 | Requiem | (4:47) |
| Sibylla Rubens, Friedemann Winklhofer, Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks | ||
| 2 | Kyrie | (2:51) |
| Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks, Peter Dijkstra, Friedemann Winklhofer | ||
| 3 | Dies Irae | (1:50) |
| Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks, Friedemann Winklhofer | ||
| 4 | Tuba Mirum | (3:40) |
| Sibylla Rubens, Lioba Braun, Steve Davislim, Georg Zeppenfeld, Münchner Philharmoniker, Christian Thielemann, Friedemann Winklhofer | ||
| 5 | Rex Tremendae | (2:33) |
| Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks, Peter Dijkstra, Friedemann Winklhofer | ||
| 6 | Recordare | (5:21) |
| Sibylla Rubens, Lioba Braun, Steve Davislim, Georg Zeppenfeld, Münchner Philharmoniker, Christian Thielemann, Friedemann Winklhofer | ||
| 7 | Confutatis | (2:41) |
| Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks, Peter Dijkstra, Friedemann Winklhofer | ||
| 8 | Lacrimosa | (3:31) |
| Friedemann Winklhofer, Chor des Bayerischen Rundfunks, Münchner Philharmoniker, Christian Thielemann | ||
| 9 | Domine, Jesu Christe | (3:56) |
| Sibylla Rubens, Lioba Braun, Steve Davislim, Georg Zeppenfeld, Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks, Peter Dijkstra, Friedemann Winklhofer | ||
| 10 | Hostias | (4:40) |
| 11 | Sanctus | (1:53) |
| Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks, Peter Dijkstra, Friedemann Winklhofer | ||
| 12 | Benedictus | (4:46) |
| Sibylla Rubens, Lioba Braun, Steve Davislim, Georg Zeppenfeld, Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks, Friedemann Winklhofer | ||
| 13 | Agnus Dei | (3:18) |
| Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks, Peter Dijkstra, Friedemann Winklhofer | ||
| 14 | Communio | (6:15) |
| Sibylla Rubens, Münchner Philharmoniker, Christian Thielemann, Chor des Bayerischen Rundfunks, Friedemann Winklhofer | ||
| Total Playing Time 52:02 | ||
| CD 15: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Ludwig van Beethoven (1770 – 1827) | ||
| Music To Goethe's Tragedy "Egmont", Op. 84 | ||
| 1 | Overture | (8:58) |
| Johannes Brahms (1833 – 1897) | ||
| Symphony No. 1 in C Minor, Op. 68 | ||
| 2 | 1. Un poco sostenuto – Allegro – Meno allegro | (18:11) |
| 3 | 2. Andante sostenuto | (9:20) |
| 4 | 3. Un poco allegretto e grazioso | (5:15) |
| 5 | 4. Adagio – Piu andante – Allegro non troppo, ma con brio – Piu allegro | (18:49) |
| Münchner Philharmoniker, Christian Thielemann | ||
| Total Playing Time 1:00:33 | ||
| CD 16: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Johannes Brahms (1833 – 1897) | ||
| Piano Concerto No. 1 in D Minor, Op. 15 | ||
| 1 | 1. Maestoso – Poco più moderato | (21:02) |
| 2 | 2. Adagio | (12:32) |
| 3 | 3. Rondo (Allegro non troppo) | (11:56) |
| Maurizio Pollini, Staatskapelle Dresden, Christian Thielemann | ||
| Total Playing Time 45:30 | ||
| CD 17: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Johannes Brahms (1833 – 1897) | ||
| Violin Concerto in D Major, Op. 77 | ||
| 1 | 1. Allegro non troppo | (21:09) |
| 2 | 2. Adagio | (8:49) |
| 3 | 3. Allegro giocoso, ma non troppo vivace – Poco più presto | (7:56) |
| Staatskapelle Dresden, Christian Thielemann | ||
| Clara Schumann (1819 – 1896) | ||
| 3 Romances for Violin and Piano, Op. 22 | ||
| Drei Romanzen, Op.22 | ||
| 4 | 1. Andante molto | (2:46) |
| 5 | 2. Allegretto | (2:45) |
| 6 | 3. Leidenschaftlich schnell | (3:53) |
| Alice Sara Ott | ||
| Total Playing Time 47:18 | ||
| CD 18: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Johannes Brahms (1833 – 1897) | ||
| Piano Concerto No. 2 in B-Flat Major, Op. 83 | ||
| 1 | 1. Allegro non troppo | (17:13) |
| 2 | 2. Allegro appassionato | (9:12) |
| 3 | 3. Andante – Più adagio | (11:22) |
| 4 | 4. Allegretto grazioso – Un poco più presto | (9:12) |
| Maurizio Pollini, Staatskapelle Dresden, Christian Thielemann | ||
| Total Playing Time 46:59 | ||
| CD 19: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Johannes Brahms (1833 – 1897) | ||
| Symphony No. 1 in C Minor, Op. 68 | ||
| 1 | 1. Un poco sostenuto – Allegro – Meno allegro | (14:29) |
| 2 | 2. Andante sostenuto | (9:03) |
| 3 | 3. Un poco allegretto e grazioso | (5:16) |
| 4 | 4. Adagio – Piu andante – Allegro non troppo, ma con brio – Piu allegro | (18:06) |
| 5 | Tragic Overture, Op. 81 | (12:28) |
| Staatskapelle Dresden, Christian Thielemann | ||
| Total Playing Time 59:22 | ||
| CD 20: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Johannes Brahms (1833 – 1897) | ||
| Symphony No. 2 in D Major, Op. 73 | ||
| 1 | 1. Allegro non troppo | (20:51) |
| 2 | 2. Adagio non troppo – L'istesso tempo, ma grazioso | (10:14) |
| 3 | 3. Allegretto grazioso (Quasi andantino) – Presto ma non assai | (5:46) |
| 4 | 4. Allegro con spirito | (8:58) |
| 5 | Academic Festival Overture, Op. 80 | (10:16) |
| Staatskapelle Dresden, Christian Thielemann | ||
| Total Playing Time 56:05 | ||
| CD 21: Complete Orchestral Recordings on Deutsche Grammophon | ||
| Johannes Brahms (1833 – 1897) | ||
| Symphony No. 3 in F Major, Op. 90 | ||
| 1 | 1. Allegro con brio – Un poco sostenuto – Tempo I | (13:38) |
| 2 | 2. Andante | (8:58) |
| 3 | 3. Poco allegretto | (6:58) |
| 4 | 4. Allegro | (9:10) |
| Symphony No. 4 in E Minor, Op. 98 | ||
| 5 | 1. Allegro non troppo | (12:43) |
| 6 | 2. Andante moderato | (11:05) |
| 7 | 3. Allegro giocoso – Poco meno presto – Tempo I | (6:22) |
| 8 | 4. Allegro energico e passionato – Più allegro | (9:34) |
| Staatskapelle Dresden, Christian Thielemann | ||
| Total Playing Time 1:18:28 | ||
