Contents
- Mio caro assassino (From ”Mio caro assassino”)
- La notte che Evelyn usci dalla tomba (From ”La notte che Evelyn usci dalla tomba”)
- Bruno Nicolai: La dama rossa uccide sette volte (From ”La dama rossa uccide sette volte”)
- Stelvio Cipriani: Tribal Shake (From ”Reazione a catena”)
- Stelvio Cipriani: Il sesso del diavolo (Finale) (From ”Il sesso del diavolo”)
- Stelvio Cipriani: Deviation (From ”Deviation”)
- Riz Ortolani: L’etrusco uccide ancora (Titoli) (From ”L’etrusco uccide ancora”)
- Daniele Patucchi: Giallo in tensione (From ”Frankenstein ’80”)
- Ansimando (From ”Macchie solari”)
- Manuel De Sica: Black Dream (From ”Mystery Tour”)
- Cerro Torre (From ”Cesare Maestri: Il ragno delle Dolomiti”)
- Greta (From ”La morte ha sorriso all’assassino”)
- Bambola sensuale (From ”La rossa dalla pelle che scotta”)
- Adolfo Waitzman: Languidamente (From ”Pensione paura”)
- Il demonio in convento (From ”Immagini di un convento”)
- Ettore De Carolis: Flavour Of Death (From ”Il cavaliere, la morte e il diavolo”)
- Marcello Giombini: Un gioco per Eveline (From ”Un gioco per Eveline”)
- Carlo Maria Cordio: Absurd (From ”Rosso sangue”)
- Devil Dance (From ”Un’ombra nell’ombra”)
- Daniele Patucchi: E tanta paura (From ”E tanta paura”)
- Marcello Giombini: Orinoco: Prigioniere del sesso (From ”Orinoco: Prigioniere del sesso”)
- Franco Micalizzi: Bargain With The Devil #3 (From ”Chi sei?”)
- Stefano Liberati: The Prophecy (Vers. A) (From ”I pensieri dell’occhio”)
- Luigi Ceccarelli: Walking Through The Shadows (From ”Difendimi dalla notte” /)
- Daniele Patucchi: Minaccia sulla città (From ”Belve feroci”)
PAURA explores the horror repertoire from the precious CAM Sugar archives and takes us on a hypnotic journey into the labyrinths of fear, through the different variations that Italian horror took, from the esoteric and supernatural to the slasher films of the early 70s; to reinterpretations of romantic literature and gothic fiction to the splatter films of the 80s; and from witchcraft to big city horror This is not a true “best of,” but an eclectic menu of mysterious voices, childlike lullabies, sweet melodies, obsessive music boxes, wayward harpsichords, maddening distortions, and menacing synthesizers, conceived as a sequence of sequences, like a film cut Containing some of the most creative music ever written, this new collection strives to do justice not only to some of the genre’s best-known composers, but also to many great unsung composers: from celebrated composers like Ennio Morricone, Riz Ortolani & Stelvio Cipriani to long-forgotten figures who formed the industrial backbone of Italian cinema, such as Daniele Patucchi, Marcelo Giombini & Berto Pisano.
|