Christian Fink: Songs & Works For Piano


2 CD 

Κλασική Μουσική 

Hänssler Classic


Προπαραγγελία11 Ιανουαρίου 2022


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Christine Reber (Soprano), Robert Bärwald (Piano), Carmen Mammoser (Contralto), Yeru Yoshihara (Baritone), Ensemble Perplex (Ensemble)

Christian Fink:

5 Lieder, Op. 7 /Christine Reber (soprano), Robert Bärwald (piano)

No. 1, Und wüssten’s die Blumen

No. 2, Gefunden

No. 3, An der Wiege

No. 4, Gute Nacht

No. 5, Abschied

5 Lieder, Op. 12 /Christine Reber (soprano), Robert Bärwald (piano)

No. 1, Vergissmeinnicht

No. 2, Der Einsiedler

No. 3, Gut’ Nacht

No. 4, Wanderers Nachtlied

No. 5, Dein Name

Klaviersonate No. 2 in E-Flat Major, Op. 21 /Robert Bärwald (piano)

I. Allegro con brio

II. Adagio con molto espressione

III. Allegro risoluto

Die Schwalben sind gekommen, Op. 40 /Christine Reber (soprano), Robert Bärwald (piano)

4 Lieder, Op. 42 /Christine Reber (soprano), Robert Bärwald (piano)

No. 1, Der Mutter Wiegenlied

No. 2, Zwei Rosen

No. 3, In der Wetternacht

No. 4, Nach der Heimath

5 Lieder, Op. 3 /Christine Reber (soprano), Robert Bärwald (piano)

No. 1, Vom Berge

No. 2, Der Abendstern

No. 3, Schäfers Klagelied

No. 4, Vergissmeinicht

No. 5, Hör ich das Liedchen klingen

Ist’s ein Gruss von Dir, Op. 57 No. 1 /Christine Reber (soprano), Robert Bärwald (piano)

Flieg aus mein Herz, Op. 58 No. 1 /Christine Reber (soprano), Robert Bärwald (piano)

Grün soll unsere Liebe bleiben, Op. 54 No. 2 /Christine Reber (soprano), Robert Bärwald (piano)

Nordsturm, WoO 23a /Christine Reber (soprano), Robert Bärwald (piano)

Klaviersonate No. 1 in A Major, Op. 11 /Robert Bärwald (piano)

I. Grave – Molto allegro energico

II. Scherzo Allegro moderato

III. Poco Adagio con molto espressione

IV. Allegro – Allegro vivace

3 Lieder für vier Männerstimmen, Op. 15 /Ensemble Perplex

No. 1, Waidmanns Gruss

No. 2, Wanderlied

No. 3, Wandrers Nachtlied

2 Duette, Op. 46 /Christine Reber (soprano), Carmen Mammoser (alto), Robert Bärwald

No. 1, Maibrünnelein

No. 2, Tanzlied der Mücken

3 Lieder, Op. 70 /Carmen Mammoser (alto), Robert Bärwald (piano)

No. 1, Abschied

No. 2, Im Schatten der Platanen

No. 3, Der alte Freund

Frühlingssonntag, WoO 23g /Yeru Yoshihara (baritone), Robert Bärwald (piano)

Der Abt von Bebenhausen, Op. 85 /Yeru Yoshihara (baritone), Robert Bärwald (piano)

Christian Fink (1831-1911) was a respected organist and choirmaster, known nationally as a performer and composer, and co-editor of the music magazine Euterpe; he performed at festivals of new music and at times was even associated with the “New German” school. And yet this successful musical career did not assure his entrance into cultural memory. After his death, efforts were made to keep his work alive. But essentially, Fink virtually disappeared during the 20th century, from the perspective of music practice and music research, although his compositions were also written in a highly exciting period, between the deaths of Schumann (1856) and Gustav Mahler (1911), and at the same time as the works of Brahms, Wagner, and many other of the Romantics. In this way, Fink’s music, without an existing listening tradition, can provide new and stimulating insights into the 19th century. (Joachim Kremer)

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