Προσφορά!

Edition Staatskapelle Dresden, Vol. 43: Karl Böhm

21,00

2 CD 

Κλασική Μουσική 

Profil Hanssler

Sale!

16 Νοεμβρίου 2021

Σε απόθεμα

Ερώτηση για το προϊόν

Περιγραφή

881488180350

Καλλιτέχνες

Staatskapelle Dresden (Ορχήστρα)Karl Böhm (Μαέστρος)
Christel Goltz (Soprano)

Contents

Strauss, J, II: Die Fledermaus: Overture

Strauss, J, II: Indigo und die vierzig Räuber: Interlude

Mozart: Die Entführung aus dem Serail, K384: Overture

Mozart: Le nozze di Figaro, K492: Overture

Beethoven: Leonore Overture No. 3, Op. 72b

Beethoven: Egmont Incidental Music, Op. 84: Overture

Weber: Der Freischütz, Op. 77, J. 277: Overture

Weber: Oberon, J. 306: Overture

Lortzing: Undine: Ballet Music

Lortzing: Zar und Zimmermann, LoWV 38: Holzschuhtanz

Smetana: The Bartered Bride, JB 1:100, T. 93: Overture

Humperdinck: Hänsel und Gretel: Overture

Leoncavallo: Pagliacci: Intermezzo

Mascagni: Cavalleria Rusticana: Intermezzo

Laßt uns preisen den Herrn (Sung in German)

Christel Goltz (soprano), Staatskapelle Dresden, Chor der Staatsoperette Dresden, Karl Böhm

Verdi: Aida: Prelude

Reznicek: Donna Diana: Overture

Berlioz: La Damnation de Faust, Op. 24, H. 111: No. 3, Marche hongroise

Mozart: Serenade No. 13 in G major, K525 ‘Eine kleine Nachtmusik’

Schubert: Marches Militaires (3), D733, No. 1 in D Major (Arr. for Orchestra)

Tchaikovsky: Capriccio italien, Op. 45, TH 47 (Excerpt)

Strauss, J, II: Kaiser-Walzer, Op. 437

Berger, T: Rondino Giocoso, Op. 4

Brahms: Hungarian Dances

21 Hungarian Dances, WoO 1 (Version for Orchestra): No. 5 in G Minor

21 Hungarian Dances, WoO 1 (Version for Orchestra): No. 6 in D Major

The focus of this impressive release is not only the stunning performance by the Staatskapelle Dresden, but the audiophile-quality sound engineering: “Real live recording – without a safety net, so to speak, without sound engineers in dark horn-rimmed glasses and white coats – belongs to the days of direct cutting to cylinder in the early days of sound recording up to the introduction of magnetic tape after World War II. From that moment on, editing and manipulation became the order of the day – indeed, it is clearly audible on many LPs and may often cause some amusement … In the short period during which the Direct-to-Disc process was in use, in the 1970s, the aim was to transfer purist recordings to LP without tape noise – mainly in the area of jazz – and this produced some recordings that are hailed even today as ground-breaking and legendary. Made using just one single microphone, these Electrola shellac recordings remain, after a process of careful and time-consuming restoration, a benchmark to this day when it comes to motivation, joy of musicmaking and a determination to give the best performance possible on the part of the musicians, the orchestra, the conductor and the sound engineers. This is perceptible on nearly all the tracks on this album. And the conductor Karl Böhm was surely seldom in such good spirits, so carefree – brisk in his tempi – and yet simultaneously so sensitive in imparting subtle messages. All in the hope that the crackling needle will leave some of the sound for the restoration process …“ (Sound engineer Holger Siedler)