Pancho Vladigerov: Orchestral Songs

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2 CD 

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1 Ιουλίου 2021

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Καλλιτέχνες

Bulgarian National Radio Symphony Orchestra
Alexander Vladigerov (Μαέστρος)

Contents

Vladigerov, Pantcho (1889-1979):

Dafino, Wine!, Op. 42 No. 5

Early, Radka Went, Op. 43 No. 5

Ah, Dimitro Iyo, Op. 42 No. 2

The Forest Was Winding, Op. 32 No. 1

Old Dimo, Op. 42 No. 5

From the Mountain, Ma, Climbs Down a Young Shepard, Op. 43 No. 6

A Maiden from Shoumen

Mincho Winked at Minka, Op. 41 No. 6

An Old Man Pastures Cattle (Arr. for Bass & Orchestra)

Nine Years Have Passed, Yonke, Op. 32 No. 5 (Version for Bass & Orchestra)

A Whistle Whistles to Me in Dark Recesses, Op. 32 No. 6 (Version for Bass & Orchestra)

Pavel Gerdjikov (bass), Bulgarian National Radio Symphony Orchestra, Alexander Vladigerov

6 Lyric Songs, Op. 5 (Arr. for High Voice & Orchestra)

No. 1, Mysterious Night

No. 2, Silent Was the Night

No. 3, By the Deserted Shore

No. 4, The Flowers Were Crying

No. 5, Past Midnight

No. 6, How Merrily We Stood Together

Roumiana Valcheva-Evrova (soprano), Bulgarian National Radio Symphony Orchestra, Alexander Vladigerov

Wild Gidiya, Op. 5 (Version for Bass & Orchestra)

Pavel Gerdjikov (bass), Bulgarian National Radio Symphony Orchestra, Alexander Vladigerov

4 Songs, Op. 67 (Version for High Voice & Orchestra)

No. 2, The Quiet Spring Rain

No. 1, The Sky Is Crazy Blue

No. 4, Bright Morning

No. 3, Crowds Approach the Day of Judgement

Maria Ventsislavova (soprano), Bulgarian National Radio Symphony Orchestra, Alexander Vladigerov

6 Bulgarian Folk Songs, Op. 56 (Version for High Voice & Orchestra)

No. 6, Mechanical

No. 5, It Suits You, My Love

No. 4, What a Girl I Saw, Ma

No. 3, Bogdane

No. 2, A Fierce Threat

No. 1, Valko, Valko

Evelina Stoitseva (soprano), Bulgarian National Radio Symphony Orchestra, Alexander Vladigerov

Song for the Beloved

Roumiana Valcheva-Evrova (soprano), Bulgarian National Radio Symphony Orchestra, Alexander Vladigerov

The present fifth volume of the Pancho Vladigerov Edition turns to an aspect of the composer’s genre that many other composers have never or hardly touched: Orchestral songs. It is perfectly plausible that Vladigerov found himself exposed to this genre during his formative years in Berlin and Vienna, having enjoyed its heydays in those years he spent in those cities (Gustav Mahler, Richard Strauss, Hans Pfitzner, Joseph Marx and others). Notably, Vladigerov always worked off poems by Bulgarian writers, not only when dealing with Bulgarian folk songs. Like many other 20th century composers from a host of different countries and ethnicities, Vladigerov delved deeply into the folk songs and folk dances of his homeland. These are songs and dances – some are still popular today, others nearly forgotten – that various ethnic groups in the country have developed over centuries. In these arrangements, the composing side of Vladigerov finds the perfect synthesis with his pronouncedly Bulgarian side.

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