Pancho Vladigerov: Violin Concertos Nos. 1 & 2

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2 CD 

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28 Δεκεμβρίου 2020

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Pantcho Vladigerov

Bulgarian Dance for two Violins and String Orchestra

Bulgarian Paraphrases, Op. 18/1, Horo

Bulgarian Rhapsody for Violin and Orchestra, Op. 16 Vardar

Bulgarian Suite, Op. 21

Burlesque for Violin and Orchestra, Op. 14

Concert Fantasy for Cello and Orchestra, Op. 35

Elegiac Romance for Cello and Orchestra

Violin Concerto No. 1 in F minor, Op. 11

Violin Concerto No. 2 in G minor, Op. 61

Αναλυτική Παρουσίαση

Pantcho Vladigerov

Violin Concerto No. 1 in F minor, Op. 11

Burlesque for Violin and Orchestra, Op. 14

Bulgarian Paraphrases, Op. 18/1, Horo

Bulgarian Rhapsody for Violin and Orchestra, Op. 16 Vardar

Georgi Badev (Violin), Bulgarian National Radio Symphony OrchestraAlexander Vladigerov (Μαέστρος)

Pantcho Vladigerov

Bulgarian Suite, Op. 21

Violin Concerto No. 2 in G minor, Op. 61

Dina Schneidermann (Violin), Bulgarian National Radio Symphony OrchestraAlexander Vladigerov (Μαέστρος)

Pantcho Vladigerov

Bulgarian Dance for two Violins and String Orchestra

Emil Kamilarov (Violin), Dina Schneidermann (Violin), Bulgarian Chamber OrchestraPantcho Vladigerov (Μαέστρος)

Pantcho Vladigerov

Elegiac Romance for Cello and Orchestra

Concert Fantasy for Cello and Orchestra, Op. 35

Ventseslav Nikolov (Cello), Bulgarian National Radio Symphony OrchestraAlexander Vladigerov (Μαέστρος)

“Now I have come across someone who really has a great creative talent.” (Peter Tchaikovsky) Although the originality of his musical language paved the way for Russian modernism, Catoire’s work still followed the artistic ideals of Russia and not the new culture of the Soviet Republic. His work is highly expressive and of enormous polyphonic density, greatest expressiveness, fine colors, rhythmic and harmonious scope. Catoire’s music was almost never performed and his name remained almost unknown also to expert circles. He left behind 36 works including some symphonic pieces, a piano concerto, chamber music, songs and piano cycles. This music was written in the “fin de siecle”, with its shine and nobility, but also with its fragility.

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