Alexander Mosolov: Iron Foundry, Piano Concerto No. 1

14,50

1 CD 

Κλασική Μουσική 

Capriccio

5 Φεβρουαρίου 2021

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845221052410

Alexander Vasilyevich Mosolov

4 gazetnikh ob”yavleniiya (4 Newspaper Announcements), Op. 21

Legenda, Op. 5

Piano Concerto, Op. 14

Piano Sonata No. 1 in C minor, Op. 3

The Iron Foundry

Tractor’s arrival at the Kolkhoz

Αναλυτική Παρουσίαση

Alexander Vasilyevich Mosolov

The Iron Foundry

Tractor’s arrival at the Kolkhoz

Berlin Radio Symphony OrchestraJohannes Kalitzke (Μαέστρος)

Alexander Vasilyevich Mosolov

Piano Concerto, Op. 14

Steffen Schleiermacher (Piano), Berlin Radio Symphony OrchestraJohannes Kalitzke (Μαέστρος)

Alexander Vasilyevich Mosolov

Legenda, Op. 5

Steffen Schleiermacher (Piano), Ringela Riemke (Cello)

Alexander Vasilyevich Mosolov

Piano Sonata No. 1 in C minor, Op. 3

Steffen Schleiermacher (Piano)

Alexander Vasilyevich Mosolov

4 gazetnikh ob”yavleniiya (4 Newspaper Announcements), Op. 21

Steffen Schleiermacher (Piano), Natalia Pschenitschnikowa (Soprano)

Among his contemporary countrymen, the Russian Alexander Mosolov certainly underwent one of the most individual developments. However unknown most of his compositions have remained both in the Soviet Union and abroad, a single piece has ensured that his name has stayed lastingly present – the Iron Foundry from the ballet ,Steel’ (1926/27). It clearly ran contrary to the demands of ‘Socialist Realism’ gradually becoming established in the post-revolutionary Soviet Union and finally declared the official dogma by the authorities in 1932. Whereas the state demanded a kind of music that was easy to receive and could be directly accepted by broad sections of the population, some young composers saw themselves facing the challenge of keeping pace with the international avant-garde and adding a separate Russian and Soviet form. Also active as a music official, Mosolov quickly found recognition in the young Moscow music scene. He soon worked in the Association of Contemporary Music (ASM) and got to know many foreign colleagues, whose works were performed in Russia at the time not least due to his efforts, including Alban Berg, Paul Hindemith, Alfredo Casella, Darius Milhaud and Arthur Honegger.

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