J. S. Bach: Violin Concertos – Kati Debretzeni,The English Baroque Soloists & Sir John Eliot Gardiner


1 CD 

Κλασική Μουσική 


9 Φεβρουαρίου 2024

Σε απόθεμα

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Johann Sebastian Bach:Violin Concerto No. 1 in A minor, BWV1041Violin Concerto No. 2 in E major, BWV1042Violin Concerto in D minor, BWV1052 (Arr. W. Fischer for Violin & Orchestra)Violin Concerto in D, BWV1053 arr. harpsichord No. 2 in E (Arr. W. Fischer for Violin & Orchestra)


Kati Debretzeni (Violin)
English Baroque Soloists (Ensemble)
Sir John Eliot Gardiner (Μαέστρος)

Sir John Eliot Gardiner presents a long-awaited, dazzling and insightful recording of the Violin Concertos with leader and soloist, Kati Debretzeni. Debretzeni also presents her own arrangement and world-premiere recording of the harpsichord concerto BWV 1053, published by Fountayne Editions.


Gramophone Magazine January 2020

“Now at last here she is in the Bach concertos that have surely been waiting for her…Add to that John Eliot Gardiner’s typically firm-handed elucidatory approach to articulation and the result is music-making full of detail and interest.

MusicWeb International November 2019

“Coupling considerations aside, this recording is up there with the best.

Sunday Times 8th December 2019

“The bonuses here are transcriptions, by Debretzeni and Wilfried Fischer, of two well-known keyboard concertos, which may or may not be “authentic”, but sound effortlessly violinistic as performed by these immaculate Bach players.

The Observer 24th November 2019

“Debretzeni’s joyful, spirited playing, precise but free, gives endless pleasure.

The Strad Ferbuary 2020

[Debretzeni’s] tone is consistently impressive… For all the bustle, there is composure too and plenty of colour – instances where the conversation is visited by sudden rushes of sound and obvious smiles. Much to savour.

“… Debretzeni … unleashes a dancing swing and vitality bursting with joie de vivre in the lively and clearly focused interaction with the London full professionals in Bach’s contrapuntal labyrinth, … Both transcriptions sound as natural and convincing as if Bach had done it himself.” (stereoplay, March 2020)

“The historicizing interpretation with Romanian baroque violinist Kati Debretzeni, who is also concertmaster of Gardiner’s English Baroque Soloists, comes across as light-footed, the outer movements dancing. There is hardly any vibrato, linguistic rhetoric dominates.” (Fono Forum, May 2020)