Περιγραφή
Καλλιτέχνες
After the successful Mendelssohn series, Sir John Eliot Gardiner and the London Symphony Orchestra turn to the next representative of German Romanticism. For the conductor, the new series offers a welcome opportunity to add the extraordinary wealth of ideas and kaleidoscopic originality of Schumann’s symphonies. But above all to defend him as a master of symphonic form and instrumental timbres and to free him from the stubborn cliché that he could not orchestrate. The first episode of this proof from London is absolutely convincing and seamlessly follows on from the Mendelssohn series. |