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Wolfgang Amadeus Mozart: Die Zauberflöte – Diana Damrau, Dorothea Röschmann & Simon Keenlyside

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1 Blu-Ray 

Κλασική Μουσική 

Opus Arte

4 Φεβρουαρίου 2025

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Καλλιτέχνες

Sir Thomas Allen (Narrator)Diana Damrau (Soprano)Will Hartmann (Tenor)Yvonne Howard (Mezzo-Soprano)Simon Keenlyside (Baritone)Christine Rice (Mezzo-Soprano)Dorothea Röschmann (Soprano)Franz-Josef Selig (Bass)Adrian Thompson (Tenor)Ailish Tynan (Soprano)Gillian Webster (Soprano)
Chorus of the Royal Opera House, Covent Garden (Χορωδία)
Orchestra of the Royal Opera House (Ορχήστρα)Sir Colin Davis (Μαέστρος)

Internationally renowned Mozart interpreter Sir Colin Davis conducts the chorus and orchestra of the Royal Opera House and a stellar cast in David McVicar’s 2003 production of Mozart’s last opera, recorded live at Covent Garden in glorious surround sound.

The internationally renowned Mozart interpreter Sir Colin Davis, who conducts the chorus and orchestra of the Royal Opera House here, presents an absolutely coherent musical interpretation of Mozart’s epochal Singspiel, which enters into a congenial dialog with David McVicar’s brilliant stage production. But the wonderful performers in the leading roles and the sophisticated set design by John E Macfarlane also make this live recording from Covent Garden Opera House an experience – and not just for Mozart fans.

Reviews

FonoForum 02/04: “Dorothea Röschmann’s soft Pamina and Simon Keenlyside’s brooding Papageno dominate vocally and dramatically vocally and dramatically, with precise explosiveness Diana Damrau’s Queen; Will Hartmann’s Tamino is virile Colin Davis conducts sensitively.”

“… a gentle warmth that was deeply satisfying. Simon Keenlyside… a triumph as by far the most engaging Papageno I have ever experienced, while Tamino and Pamina by… Will Hartman and Dorothea Roschmann were stylish and musically satisfying. With an extraordinary Queen of the Night, Diana Damrou, this is an evening no Mozart lover should miss…” David Mellor, The Mail on Sunday

Classic FM Magazine

‘Diana Damrau’s supremely sung Queen of the Night oozes class, while Simon Keenlyside’s profoundly human, touchingly sympathetic view of Papageno deserves an Olivier Award.

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