Περιγραφή
Καλλιτέχνες
It was around 1825 that Louise Bertin, pupil of Reicha and friend of Berlioz, tackled the subject of Faust with all the energy and confidence of a young woman of twenty. She entirely exceeded the public’s expectations and won over the critics with her daring. Colourful orchestration, charming cantabiles, vigorous choruses – everything seemed to promise the work would enter the repertory. But the closure of the Theatre-Italien after just three performances in 1831 decided otherwise, and the score languished in the vaults of the Bibliotheque Nationale de France for 190 years. The leading role, conceived for the mezzo-soprano Rosmunda Pisaroni, was finally created by the tenor Domenico Donzelli. In this complete recording with period instruments, Christophe Rousset presents the work in its original form, which has never been heard before, even in the composer’s lifetime. Once again, Les Talens Lyriques and the Palazzetto Bru Zane join forces in an adventurous French operatic rediscovery. Reviews Gramophone Magazine February 2024 “The performance is a knockout. Rousset conducts with blazing conviction, admirably sustaining the high emotional pitch without once tipping towards melodrama… It’s a terrific set and a major rediscovery. The Guardian 25th January 2024 “The full score of Fausto was only rediscovered a few years ago, but this first recording, conducted with missionary zeal by Christophe Rousset and superbly played by the period instruments of Les Talens Lyriques, with Karine Deshayes as Faust and Karina Gauvin as Marguerite suggests that it deserves a bit more than occasional performances. – 4 out of 5 stars |