George Szell and the Cleveland Orchestra: The Forgotten Recordings

23,50

2 CD

Κλασική Μουσική

Somm Recordings

Νέο!5 Απρίλιος 2021Ερώτηση για το προϊόν

Περιγραφή

748871501126

Johannes Brahms

Academic Festival Overture, Op. 80

Variations on a theme by Haydn for orchestra, Op. 56a ‘St Anthony Variations’

Robert Schumann

Symphony No. 4 in D minor, Op. 120

Wolfgang Amadeus Mozart

Symphony No. 39 in E flat major, K543

Igor Feodorovich Stravinsky

The Firebird (L’oiseau de feu)

Johann Sebastian Bach

Orchestral Suite No. 3 in D major, BWV1068

Bedrich Smetana

Má Vlast: Vltava (Moldau)

Richard Strauss

Till Eulenspiegels lustige Streiche, Op. 28

Καλλιτέχνες

Cleveland Orchestra
George Szell (Conductor)

SOMM RECORDINGS announces the first release of never before available performances by one of the defining partnerships of modern American music in the specially priced two-CD set George Szell and the Cleveland Orchestra: The Forgotten Recordings.

Long considered one of America’s “Big Five” orchestras, the Cleveland Orchestra entered its second century in 2018 and earlier this year was hailed by The New York Times as “America’s finest [orchestra] still”.

The Forgotten Recordings features eight historic performances made for the Book-of-the-Month Club in 1954 and 1955 – seven of which are first releases – that have been restored and remastered by the multi-award- winning audio restoration engineer Lani Spahr, who also provides extensive and informative booklet notes.

Three works – Bach’s Third Orchestral Suite (BWV 1068), a revealing engagement by Szell with a composer he is not usually associated with, Smetana’s The Moldau and Strauss’s Till Eulenspiegel (with an early spotlight on legendary horn player Myron Bloom) were recorded in mono in a remarkably productive session on Christmas Eve, 1954.

From October 1955 in stereo recordings are two works by Brahms – his Haydn Variations and the Academic Festival Overture, two symphonies – Mozart’s No.39 and Schumann’s Fourth – and a Stravinsky Firebird Suite that “crackles with energy”.

“Here”, says Spahr, “we can appreciate that the orchestra was well on its way to becoming, in Szell’s words, ‘this glorious instrument… that perfectly reflects my musical ideals’.”

Lani Spahr’s restorations of historic Elgar recordings for SOMM include Elgar Rediscovered (SOMMCD 0167), the four-disc set Elgar Remastered (SOMMCD 261-4) hailed by Audiophilia as “a fascinating achievement which will have you wishing for more”, and two volumes of Elgar from America (Ariadne 5005 and 5008), which MusicWeb International called “a model of one of the things the CD should be doing: filling the medium to capacity with engaging and/or controversial interpretations that one cannot simply over-hear…Essential listening”.