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Καλλιτέχνες
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The sixth disc in this highly acclaimed series combine two works in which Mozart’s powers as an orchestrator come to the fore. Concerto No. 22 is the first of only three piano concertos in which Mozart uses clarinets, to particular effect in the expressive Andantino cantabile episode of the otherwise ebullient Finale. The orchestra is on the whole unusually large, with trumpets and timpani, and horn parts which are uncommonly independent. Reviews BBC Music Magazine July 2014 “While Brautigam and Willens have sometims tended to favour tempos distinctly on the fast side, that isn’t the case here: these are finely-judged performances throughout, in which every detail counts. Brautigam contributes an impressive cadenza to K482. – 5 out of 5 stars International Record Review May 2014 “Like most other period-instrument practitioners of Mozart’s keyboard music, Brautigam plays a copy…of an instrument that post-dates the composer’s death…Much more important than matters of strict authenticity, however, is Brautigam’s stylish performance: nimble, fluent and subtle, with plenty of soloistic flair…The bubbly finale [of K482] is a delight. |
