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This is the third and penultimate release in the acclaimed cycle of Wagner’s Der Ring des Nibelungen with the Hong Kong Philharmonic conducted by Jaap van Zweden. Of the star cast for Siegfried, Matthias Goerne has been singled out for particular praise by the critics, with Gramophone stating that he “sings Wotan beautifully, with much baritonal sophistication, predictable (from an experienced Lieder recitalist) care for words and able negotiation of trickier moments.” Opera News wrote “Matthias Goerne is a revelation… [he] upholds the great tradition of Wagner singing.” Each member of this carefully selected cast has an established reputation in opera performance, and most are known for significant and highly demanding Wagnerian roles. These include tenor Simon O’Neill as Siegfried, one of the finest heldentenors on the international stage, and soprano Heidi Melton as Brünnhilde, who has been called “the Wagnerian voice we have been waiting for since Flagstad and Nilsson” (La Presse). Reviews BBC Music Magazine Christmas 2017 [van Zweden] evokes both its youthful energy and darker undercurrents, with excellent playing from the augmented Hong Kong Philharmonic Orchestra…But every ‘Siegfried’ hangs on the title role, and Simon O’Neill’s steely, bright-toned heldentenor encompasses this killer part with deceptive ease…he also manages to suggest youthful ardour without thuggishness. I’ve heard none finer in recent years. – 5 out of 5 stars Opera February 2018 [O’Neill] the voice has a clean, clarion call edge to it and he sounds as fresh at the end of the performance as he does at the beginning [Goerne] a performance that is reflective and refreshingly free of barking, with words gently incorporated into the vocal line rather than spat out…the rest of the cast includes an imposing Fafner from Falk Struckmann and a limpid, appealing Forest Bird from Valentina Farcas. The Guardian 15th November 2017 The qualities that made the previous instalments such recommendable bargains are mostly maintained, though the standard of the singing is less consistently high.What is utterly consistent is the excellence of the Hong Kong Philharmonic’s playing…There’s never a shortage of lustre or refinement…Van Zweden’s mastery of the huge dramatic arcs in all three acts of Siegfried never falters. 4 out of 5 stars classicalsource.com January 2018 Van Zweden’s approach, as before, flows as naturally as the Rhine; there’s nothing revelatory here, perhaps, but it’s always musical, always alert and alive. As a seasoned Brucknerian, he also unsurprisingly has an impressive grasp on each act’s architecture. |