Songs from the Gruuthuse Manuscript (Ca. 1400) And Instrumental Connections

15,00

1 CD 

Κλασική Μουσική 

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20 Σεπτεμβρίου 2022

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Περιγραφή

608917279528

Καλλιτέχνες

Christopher Kale (Vocals), Marco Magalhaes (Piano), Fumitaka Saito (Recorder), Ita Hijmans (Recorder)

anon.: Wach auff mein hort der lewcht dort her

anon.: Min hertz in hohen fröuden

anon.: Dijn troost allein

anon.: Möcht ich dein wegeren

anon.: Dijn troost allein II

anon.: Ich bin pey ir sy wais nit darumb

anon.: So wie bi lieve in rusten leit

anon.: Des klaffers neyden

anon.: So wie bi lieve in rusten leit II

anon: Mönch von Salzburg: Allmächtig got herr Jhesu Christ

anon.: Der Winter will hin weichen

anon.: Scinc her den wijn

anon.: Scinc her den wijn II

anon.: Ein vrouleen edel von nature

anon.: Binnen in mir hertzen cas

anon.: Frow myn willen nym vergüt

anon.: Egidius waer bestu bleven

anon.: Was ich begynne

anon.: O, cranc onseker broosch engien

anon: Paumann: Wiplich figur / Bekenne myn klag

anon.: Wel up elc sin die vruecht begaert

The poems and songs of the Gruuthuse Manuscript originated in Bruges around 1400, and the collection is named after the later owner, Lodewijk van Gruuthuse. The songs form the most well-known part of the collection: love songs, bawdy songs and drinking songs. The Gruuthuse Manuscript contains the largest collection of Dutch language songs from the medieval period, and it is the largest collection of songs with music notation. The form of the songs also attests to the fact that these songs were intended for connoisseurs. The poet uses forms fixes, the canonized forms of French songs of the late medieval times: ballades, rondeaus and virelais, and the wide variety of the forms used is remarkable. Instrumentalists have been around all over Europe during the 15th century, but musical manuscripts unambiguously showing a repertoire for instrumental ensembles from that period are scarce. The instrumental repertoire on this album contains arrangements and polyphonic ensemble pieces from about 1450-1470. The arrangements are either instrumental versions based on pre-existing polyphonic models or arranged monophonic tenors.

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