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“The greatest mix of colours that ever existed” was Gustav Mahler’s description of the third movement of his Fourth Symphony. Riccardo Chailly, one of the most adept interpreters of Mahler of our time, and the Gewandhaus Orchestra transformed the entire Fourth Symphony into this kaleidoscope of sound. The unmistakable timbre of the orchestra has become synonymous with late Romantic repertoire and Mahler-esque style – it was described by Der Tagesspiegel as “uncommonly present, even in the thread-fine pianissimo, compact, concentrated, satin”. Once more, the connection between Chailly, the Gewandhaus Orchestra and Mahler proved to be exceptional: The way Chailly “moulded the music, which is so familiar to him, with loving gestures, confidently alluding to a thousand subtle details, allowing the orchestra to rise and fall – that is perfect.” BONUS TRACKS
Reviews: Financial Times 4th May 2013 abundant virtues…a sense of naturally flowing tempi, an ear for inner parts within the whole, a vitality that captures the pristine glow of this most innocent of all Mahler symphonies. Chailly is not a narcissistic Mahlerian: there’s no self-indulgent milking of the music for effect. – 4 out of 5 stars Gramophone Magazine August 2013 a performance of enlightened literalism, distinguished by a simplicity of utterance and forthrightness that uncovers expressive depths which elude some modern interpreters…Chailly never overcooks the points of transition…Landshamer brings an awesome purity to the refrain of each Wunderhorn verse. |
