Περιγραφή
| Alexander Profirevich Borodin | Merknet svyet dnevnoy (from Prince Igor) (Daylight is Fading (Konchakovna’s Cavatina) |
| Alexander Sergeyevich Dargomïzhsky | Laura’s First Song (from The Stone Guest) |
| Mikhail Glinka | Vanya’s Aria (from Ivan Susanin/A Life for the Tsar) |
| Modest Petrovich Mussorgsky | Khovanshchina – Marfa’s Song (edited by Rimsky-Korsakov) Marina Mniszech’s Aria (From Boris Godunov) |
| Nikolay Andreyevich Rimsky Korsakov | Dance of the Skomorochi (From the Snow Maiden) Monologue of Lyubasha |
| Piotr Ilyich Tchaikovsky | Countess’s Scene (from Pique Dame) Jan ye sposobna k grusti tomnoy (from Eugene Onegin) (Olga’s aria, ‘I’m not the sort to sit in silence’) Jeanne d’Arc, La Pucelle d’Orleans (Joan of Arc, The Maid of Orleans; Orleanskaya Dieva) Podrugi milyye (from The Queen of Spades) (Polina/Pauline’s aria) Prelude (From Pique – Dame) |
Καλλιτέχνες | |
| Vesselina Kasarova (Mezzo-Soprano) SWR Sinfonieorchester Baden-Baden und Freiburg | |
| From dreamy whispers to ecstasy, from young girls to mature women: this is all found in the fantastic voice of the great Bulgarian mezzo-soprano Vesselina Kasarova. Immediately, from the very first moment of her new Genuin CD, she draws us under her spell and presents diversity within its limitations: accompanied by the precise Philharmonie Baden-Baden under the direction of Pavel Baleff, the singer recorded solely Russian repertoire. Discoveries and re-discoveries: even if one is familiar with the marvellous Boris Godunov or Eugene Onegin, who knows the Stone Guest, or The Maid of Orleans? A superior blend of repertoire and world-class interpretation! |
