Περιγραφή
| Gustav Mahler | Symphony No. 1 in D major ‘Titan’ Symphony No. 10 in F sharp major (I. Adagio [Live] & III. Purgatorio. Allegretto moderato [Live]) Symphony No. 2 in C minor ‘Resurrection’ Symphony No. 3 in D minor Symphony No. 4 in G major Symphony No. 5 in C sharp minor Symphony No. 6 in A minor ‘Tragic’ Symphony No. 7 in E minor (Das Lied der Nacht) Symphony No. 8 in E flat major ‘Symphony of a Thousand’ Symphony No. 9 in D Major |
Αναλυτική Παρουσίαση | |
| Gustav Mahler | Symphony No. 5 in C sharp minor Symphony No. 6 in A minor ‘Tragic’ Symphony No. 7 in E minor (Das Lied der Nacht) Symphony No. 1 in D major ‘Titan’ |
| Stuttgarter Philharmoniker – Gabriel Feltz (Μαέστρος) | |
| Gustav Mahler | Symphony No. 2 in C minor ‘Resurrection’ |
| Tanja Ariane Baumgartner (Mezzo-Soprano), Chen Reiss (Soprano), Tschechischer Philharmonischer Chor Brünn, Gabriel Feltz (Μαέστρος) | |
| Gustav Mahler | Symphony No. 3 in D minor |
| Alexandra Petersamer (Mezzo-Soprano), Czech Philharmonic Choir Brno, Aurelius Sängerknaben Calw, Stuttgarter Philharmoniker – Gabriel Feltz (Μαέστρος) | |
| Gustav Mahler | Symphony No. 4 in G major |
| Jeannette Wernecke (Soprano), Stuttgarter Philharmoniker – Gabriel Feltz (Μαέστρος) | |
| Gustav Mahler | Symphony No. 8 in E flat major ‘Symphony of a Thousand’ |
| Emily Newton (Soprano), Czech Philharmonic Choir Brno, Slovak Philharmonic Choir, Knabenchor der Chorakademie Dortmund, Dortmunder Philharmoniker – Gabriel Feltz (Μαέστρος) | |
| Gustav Mahler | Symphony No. 9 in D Major |
| Dortmunder Philharmoniker – Gabriel Feltz (Μαέστρος) | |
| Gustav Mahler | Symphony No. 10 in F sharp major (I. Adagio [Live] & III. Purgatorio. Allegretto moderato [Live]) |
| Stuttgarter Philharmoniker – Gabriel Feltz (Μαέστρος) | |
| In the highly praised Mahler cycle, Gabriel Feltz and his orchestras, the Stuttgarter Philharmoniker and the Dortmunder Philharmoniker, revealed a rare feeling for concentrating on the essentials in these exuberant works. The German magazine Fono Forum praised him for “recordings conceived with a cool head,” and the Stuttgarter Nachrichten exulted over “a production of unleashed sound contrasts.” The complete edition includes a 108-page booklet with comments by the conductor on all works as well as an original contribution by Volker Hagedorn. |
