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Contents Igor Stravinsky (1882-1971): Scherzo Fantastique, Op. 3 /Philharmonia Orchestra – Eliahu Inbal Fireworks, Op. 4 /Philharmonia Orchestra – Eliahu Inbal The Firebird /Philharmonia Orchestra, Eliahu Inbal The Firebird Suite /Philadelphia Orchestra – Riccardo Muti Petrushka /Philharmonia Orchestra – Eliahu Inbal Petrushka (1947 version) /Philadelphia Orchestra, Riccardo Muti The Rite of Spring /Oslo Philharmonic Orchestra, Mariss Jansons Le Chant du Rossignol /Orchestre National de France, Pierre Boulez Pulcinella /Ensemble Intercontemporain (chamber ensemble), Pierre Boulez Suite No. 1 & Suite No. 2 /Academy of St Martin in the Fields, Sir Neville Marriner Les Noces /Grand Chœur de l’Université de Lausanne, Charles Dutoit Four Russian Peasant Songs, Chœur de Radio-France, Jacques Jouineau Le Baiser de la Fée /Philharmonia Orchestra, André Vandernoot Apollon musagète /Berliner Philharmoniker, Sir Simon Rattle Études (4) for orchestra /Orchestre National de France, Pierre Boulez Symphony of Psalms /Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin Concerto in E flat for chamber orchestra ‘Dumbarton Oaks’ /Scottish Chamber Orchestra, Jukka-Pekka Saraste Credo /Choir of King’s College Cambridge, Stephen Cleobury Ave Maria /Choir of King’s College Cambridge, Stephen Cleobury Jeu de cartes /Rotterdam Philharmonic Orchestra, James Conlon Symphony in C /Berliner Philharmoniker, Sir Simon Rattle Danses Concertantes /Los Angeles Chamber Orchestra, Sir Neville Marriner Four Norwegian Moods /Bergen Philharmonic Orchestra, Dmitri Kitayenko Circus Polka /Philharmonia Orchestra, Eliahu Inbal Scherzo a la Russe /Sir Simon Rattle, City of Birmingham Symphony Orchestra Scherzo a la Russe, Sir Simon Rattle, City of Birmingham Symphony Orchestra Symphony in 3 movements /New York Philharmonic, Zubin Mehta Concerto in D for string orchestra ‘Basler’ /Yehudi Menuhin (violin), Bath Festival Orchestra Greeting Prelude /London Philharmonic Orchestra, Sir Charles Mackerras Agon ‘Ballet for Twelve Dancers’ /Melbourne Symphony Orchestra, Hiroyuki Iwaki Pastorale /Elisabeth Schwarzkopf (soprano), Geoffrey Parsons (piano) Deux Poèmes de Paul Verlaine /François Le Roux (baritone), Orchestre Philharmonique de Monte-Carlo, John Nelson The Nightingale, Natalie Dessay (soprano), Marie McLaughlin (soprano), Violeta Urmana (soprano), Opéra national de Paris (opera company), James Conlon Renard /Ensemble instrumental, Charles Dutoit L’Histoire du Soldat /Ensemble instrumental, Charles Dutoit Oedipus Rex Anthony Rolfe Johnson (tenor), Marjana Lipovsek (contralto), John Tomlinson (bass), London Philharmonic Orchestra, Franz Welser-Möst Perséphone, Anthony Rolfe Johnson, London Philharmonic Orchestra, Franz Welser-Möst The Rake’s Progress Robert Lloyd (bass), Dawn Upshaw (soprano), Jerry Hadley (tenor), Samuel Ramey (bass), Opéra National de Lyon (opera company), Kent Nagano Three Songs from William Shakespeare Ian Bostridge (tenor), Adam Walker (flute), Michael Collins (clarinet), Lawrence Power (viola) Concerto for Piano & Wind Instruments /Michel Béroff (piano), Orchestre de Paris, Seiji Ozawa Capriccio for Piano and Orchestra /Michel Béroff (piano), Orchestre de Paris, Seiji Ozawa Violin Concerto in D /Maxim Vengerov (violin), Mstislav Rostropovich (cello), London Symphony Orchestra Movements for Piano & Orchestra /Michel Béroff, Orchestre de Paris, Seiji Ozawa Pastorale /Gidon Kremer (violin) Three Pieces for String Quartet /Alban Berg Quartett (string quartet) Ragtime, for eleven instruments /Ensemble instrumental, Charles Dutoit Three Pieces for Solo Clarinet /Sabine Meyer (clarinet) Concertino for String Quartet /Alban Berg Quartett Symphonies of Wind Instruments /London Symphony Orchestra, Kent Nagano Octet for Wind Instruments /Ensemble instrumental, Charles Dutoit Duo concertant /Itzhak Perlman (violin), Bruno Canino (piano) Elegy, for solo viola /Tabea Zimmermann (viola) Ebony Concerto /Michael Collins (clarinet), London Sinfonietta, Sir Simon Rattle Concertino for twelve instruments, Ensemble Intercontemporain (chamber ensemble), Pierre Boulez Double Canon (Raoul Dufy in memoriam), Alban Berg Quartett (string quartet) Scherzo for piano /Michel Béroff (piano) Piano Sonata in F sharp minor (1903-4) /Michel Béroff (piano) Études (4) for piano, Op. 7 /Michel Béroff (piano) Souvenir d’une marche boche /Michel Béroff (piano) Valse pour les enfants /Michel Béroff (piano) Étude pour Pianola /Michel Béroff (piano) Piano-Rag-Music /Michel Béroff (piano) Les Cinq doigts /Michel Béroff (piano) Piano Sonata (1924) /Michel Béroff (piano) Tango /Michel Béroff (piano) The Firebird Suite (transcription for solo piano), Beatrice Rana (piano) Three Movements from Petrushka, Beatrice Rana (piano) Petrushka (1911 version) transcription for two classical accordions /James Crabb (accordion), Geir Draugsvoll (accordion) Suite italienne /Truls Mørk (cello), Lars Vogt (piano) The Rite of Spring /Fazil Say (piano) Ragtime, for piano /Marcelle Meyer (piano) Suite italienne /Itzhak Perlman (violin) Chanson Russe /Itzhak Perlman (violin) Le Baiser de la Fée /Itzhak Perlman (violin) Tango 1940 /James Crabb, Geir Draugsvoll The Firebird – excerpts Petrushka (1911 version) L’Histoire du Soldat: Concert Suite The Rite of Spring Symphony of Psalms Les Noces Capriccio for Piano and Orchestra Octet for Wind Instruments Pulcinella Suite Duo concertant Jeu de cartes Three Pieces for String Quartet Ragtime, for eleven instruments Piano-Rag-Music Serenade in A for piano Concerto for 2 Pianos Pastorale Berceuse from The Firebird Scherzo from The Firebird Danse Russe (from Pétrouchka) Suite italienne: Serenata Scherzino Ah, joie, emplis mon coeur (from Le Rossignol) Le Chant du Rossignol: Marche chinoise Does any other composer of the 20th century offer such varied riches? If The Firebird, glowing with the iridescence of his teacher Rimsky-Korsakov, brought him his international breakthrough in 1910, The Rite of Spring sealed his fame and set him on the long path towards the terse archaism of Agon in 1957. Chameleon-like and with tireless creativity, Stravinsky kept pace with the aesthetic evolutions, convolutions and dislocations of his times. In his evocation of the Russia of history and prehistory, in the insolently virtuosic elegance of his pastiches, in his adaptations of Classical myths, in his rediscovery of his faith, and in his late conversion to serialism, he transformed every challenge into an opportunity. The release of this edition marks 50 years since the death of Igor Stravinsky (1882-1971), the most influential composer of the 20th century. After he died in New York on 6th April 1971, the New York Times wrote: “When the history of 20th‐century music comes to be written, Igor Stravinsky will occupy the most prominent position in the period from about 1910 to the beginning of World War II. More than any other composer, he put his mark on an entire generation. He was a shaper, a seminal force, a creator who was the symbol of the musical avant‐garde not only in the public eye but also … in the estimation of his fellow musicians.” Igor Stravinsky Edition: An authoritative and representative survey of Stravinsky’s music in superlative interpretations by an array of outstanding musicians, including some of today’s leading Erato / Warner Classics artists and Stravinsky himself as historical bonuses 23CDs The recordings span nearly a century of history, from 2019 back as far as 1928. The edition comprises all major works and less frequently heard smaller works. Certain works appear in both their original orchestral versions and in transcriptions, by Stravinsky himself and by other musicians e.g. for solo piano, piano duo, piano and violin, accordion duo. 3CDs are devoted to historical recordings, dating from the late 1920s and 1930s, with Stravinsky appearing as conductor and as pianist. The performers in the set include: Conductors Ernest Ansermet, Pierre Boulez, James Conlon, Charles Dutoit, Mariss Jansons, Sir Charles Mackerras, Sir Neville Marriner, Zubin Mehta, Sir Yehudi Menuhin, Riccardo Muti, Kent Nagano, Seiji Ozawa, Sir Simon Rattle, Mstislav Rostropovich, Franz Welser-Möst Pianists Martha Argerich, Michel Béroff, Nelson Freire, Marcelle Meyer, Beatrice Rana, Fazil Say, Lars Vogt Instrumentalists Alban Berg Quartet, Gidon Kremer, Sabine Meyer, Truls Mørk, Itzhak Perlman, Maxim Vengerov Singers Grace Bumbry, Natalie Dessay, Jerry Hadley, Marjana Lipovšek, Samuel Ramey, Anthony Rolfe-Johnson, Elisabeth Schwarzkopf, John Tomlinson, Dawn Upshaw Artists Ensemble Intercontemporain (chamber ensemble), Grand Chœur de l’Université de Lausanne, Chœur de Radio-France, Jacques Jouineau, Yehudi Menuhin (violin), Elisabeth Schwarzkopf (soprano), Geoffrey Parsons (piano), François Le Roux (baritone), Natalie Dessay (soprano), Marie McLaughlin (soprano), Violeta Urmana (soprano), Opéra national de Paris (opera company), Ensemble instrumental, Anthony Rolfe Johnson (tenor), Marjana Lipovsek (contralto), John Tomlinson (bass), Robert Lloyd (bass), Dawn Upshaw (soprano), Jerry Hadley (tenor), Samuel Ramey (bass), Opéra National de Lyon (opera company), Ian Bostridge (tenor), Adam Walker (flute), Michael Collins (clarinet), Lawrence Power (viola), Michel Béroff (piano), Maxim Vengerov (violin), Mstislav Rostropovich (cello), Gidon Kremer (violin), Alban Berg Quartett (string quartet), Sabine Meyer (clarinet), Itzhak Perlman (violin), Bruno Canino (piano), Tabea Zimmermann (viola), Beatrice Rana (piano), James Crabb (accordion), Geir Draugsvoll (accordion), Truls Mørk (cello), Lars Vogt (piano), Fazil Say (piano), Marcelle Meyer (piano) Philharmonia Orchestra, Philadelphia Orchestra, Oslo Philharmonic Orchestra, Orchestre National de France, Academy of St Martin in the Fields, Berliner Philharmoniker, Rundfunkchor Berlin, Scottish Chamber Orchestra, Choir of King’s College Cambridge, Rotterdam Philharmonic Orchestra, Los Angeles Chamber Orchestra, Bergen Philharmonic Orchestra, City of Birmingham Symphony Orchestra, New York Philharmonic, Bath Festival Orchestra, London Philharmonic Orchestra, Melbourne Symphony Orchestra, Orchestre Philharmonique de Monte-Carlo, Orchestre de Paris, London Symphony Orchestra, London Sinfonietta, Eliahu Inbal, Riccardo Muti, Mariss Jansons, Pierre Boulez, Sir Neville Marriner, Charles Dutoit, André Vandernoot, Sir Simon Rattle, Jukka-Pekka Saraste, Stephen Cleobury, James Conlon, Dmitri Kitayenko, Zubin Mehta, Sir Charles Mackerras, Hiroyuki Iwaki, John Nelson, Franz Welser-Möst, Kent Nagano, Seiji Ozawa, Igor Stravinsky Does any other composer of the 20th century offer such varied riches? If The Firebird, glowing with the iridescence of his teacher Rimsky-Korsakov, brought him his international breakthrough in 1910, The Rite of Spring sealed his fame and set him on the long path towards the terse archaism of Agon in 1957. Chameleon-like and with tireless creativity, Stravinsky kept pace with the aesthetic evolutions, convolutions and dislocations of his times. In his evocation of the Russia of history and prehistory, in the insolently virtuosic elegance of his pastiches, in his adaptations of Classical myths, in his rediscovery of his faith, and in his late conversion to serialism, he transformed every challenge into an opportunity. The release of this edition marks 50 years since the death of Igor Stravinsky (1882-1971), the most influential composer of the 20th century. After he died in New York on 6th April 1971, the New York Times wrote: “When the history of 20th‐century music comes to be written, Igor Stravinsky will occupy the most prominent position in the period from about 1910 to the beginning of World War II. More than any other composer, he put his mark on an entire generation. He was a shaper, a seminal force, a creator who was the symbol of the musical avant‐garde not only in the public eye but also … in the estimation of his fellow musicians.” Igor Stravinsky Edition: An authoritative and representative survey of Stravinsky’s music in superlative interpretations by an array of outstanding musicians, including some of today’s leading Erato / Warner Classics artists and Stravinsky himself as historical bonuses 23CDs The recordings span nearly a century of history, from 2019 back as far as 1928. The edition comprises all major works and less frequently heard smaller works. Certain works appear in both their original orchestral versions and in transcriptions, by Stravinsky himself and by other musicians e.g. for solo piano, piano duo, piano and violin, accordion duo. 3CDs are devoted to historical recordings, dating from the late 1920s and 1930s, with Stravinsky appearing as conductor and as pianist. The performers in the set include: Conductors Ernest Ansermet, Pierre Boulez, James Conlon, Charles Dutoit, Mariss Jansons, Sir Charles Mackerras, Sir Neville Marriner, Zubin Mehta, Sir Yehudi Menuhin, Riccardo Muti, Kent Nagano, Seiji Ozawa, Sir Simon Rattle, Mstislav Rostropovich, Franz Welser-Möst Pianists Martha Argerich, Michel Béroff, Nelson Freire, Marcelle Meyer, Beatrice Rana, Fazil Say, Lars Vogt Instrumentalists Alban Berg Quartet, Gidon Kremer, Sabine Meyer, Truls Mørk, Itzhak Perlman, Maxim Vengerov Singers Grace Bumbry, Natalie Dessay, Jerry Hadley, Marjana Lipovšek, Samuel Ramey, Anthony Rolfe-Johnson, Elisabeth Schwarzkopf, John Tomlinson, Dawn Upshaw Artists Ensemble Intercontemporain (chamber ensemble), Grand Chœur de l’Université de Lausanne, Chœur de Radio-France, Jacques Jouineau, Yehudi Menuhin (violin), Elisabeth Schwarzkopf (soprano), Geoffrey Parsons (piano), François Le Roux (baritone), Natalie Dessay (soprano), Marie McLaughlin (soprano), Violeta Urmana (soprano), Opéra national de Paris (opera company), Ensemble instrumental, Anthony Rolfe Johnson (tenor), Marjana Lipovsek (contralto), John Tomlinson (bass), Robert Lloyd (bass), Dawn Upshaw (soprano), Jerry Hadley (tenor), Samuel Ramey (bass), Opéra National de Lyon (opera company), Ian Bostridge (tenor), Adam Walker (flute), Michael Collins (clarinet), Lawrence Power (viola), Michel Béroff (piano), Maxim Vengerov (violin), Mstislav Rostropovich (cello), Gidon Kremer (violin), Alban Berg Quartett (string quartet), Sabine Meyer (clarinet), Itzhak Perlman (violin), Bruno Canino (piano), Tabea Zimmermann (viola), Beatrice Rana (piano), James Crabb (accordion), Geir Draugsvoll (accordion), Truls Mørk (cello), Lars Vogt (piano), Fazil Say (piano), Marcelle Meyer (piano) Philharmonia Orchestra, Philadelphia Orchestra, Oslo Philharmonic Orchestra, Orchestre National de France, Academy of St Martin in the Fields, Berliner Philharmoniker, Rundfunkchor Berlin, Scottish Chamber Orchestra, Choir of King’s College Cambridge, Rotterdam Philharmonic Orchestra, Los Angeles Chamber Orchestra, Bergen Philharmonic Orchestra, City of Birmingham Symphony Orchestra, New York Philharmonic, Bath Festival Orchestra, London Philharmonic Orchestra, Melbourne Symphony Orchestra, Orchestre Philharmonique de Monte-Carlo, Orchestre de Paris, London Symphony Orchestra, London Sinfonietta, Eliahu Inbal, Riccardo Muti, Mariss Jansons, Pierre Boulez, Sir Neville Marriner, Charles Dutoit, André Vandernoot, Sir Simon Rattle, Jukka-Pekka Saraste, Stephen Cleobury, James Conlon, Dmitri Kitayenko, Zubin Mehta, Sir Charles Mackerras, Hiroyuki Iwaki, John Nelson, Franz Welser-Möst, Kent Nagano, Seiji Ozawa, Igor Stravinsky |
