Richard Strauss: Tag und Nacht – Vier Letzte Lieder & Songs With Piano

18,50

1 CD 

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Νέο!30 Σεπτεμβρίου 2024

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Richard Strauss:Allerseelen, Op. 10 No. 8Cäcilie, Op. 27 No. 2Das Bächlein, Op. 88 No. 1Das Rosenband, Op. 36 No. 1Die Nacht, Op. 10 No. 3Four Last Songs (Vier letzte Lieder)Heimliche Aufforderung, Op. 27 No. 3Ich wollt ein Sträusslein binden, Op. 68 No. 2Morgen, Op. 27 No. 4 (Morning)Muttertändelei, Op. 43 No. 2Ständchen, Op. 17 No. 2 (Mach auf, mach auf, doch leise mein Kind)Waldseligkeit, Op. 49 No. 1Winterweihe, Op. 48 No. 4Zueignung, Op. 10 No. 1

Αναλυτική Παρουσίαση

Richard Strauss:Four Last Songs (Vier letzte Lieder)
Katerina Knezikova (Soprano)
Bamberger Symphoniker (Ορχήστρα)Jakub Hruša (Μαέστρος)
Richard Strauss:Allerseelen, Op. 10 No. 8Cäcilie, Op. 27 No. 2Das Bächlein, Op. 88 No. 1Das Rosenband, Op. 36 No. 1Die Nacht, Op. 10 No. 3Heimliche Aufforderung, Op. 27 No. 3Ich wollt ein Sträusslein binden, Op. 68 No. 2Morgen, Op. 27 No. 4 (Morning)Muttertändelei, Op. 43 No. 2Ständchen, Op. 17 No. 2 (Mach auf, mach auf, doch leise mein Kind)Waldseligkeit, Op. 49 No. 1Winterweihe, Op. 48 No. 4Zueignung, Op. 10 No. 1
Jakub Hruša (Piano)Katerina Knezikova (Soprano)

Today, Katerina Knezikova is a well-known name in the world of opera (Glyndebourne) and on concert stages (BBC SO, Bamberger Symphoniker, Czech Philharmonic, LPO, Mahler Chamber Orchestra, RLPO etc.). After her album Phidyle, which attracted considerable critical attention (Gramophone Editor’s Choice, BBC Music Magazine Award), she let herself be carried away by the world of Richard Strauss’s songs, full of micro-dramas, transparent emotions, and deep intimacy. Her partner and guide on this journey is Jakub Hrusa with the Bamberger Symphoniker in an enchanting live performance of the Four Last Songs, and– surprisingly for many–also in the supremely intimate world of songs with piano. The sensitive Lieder selection covers Strauss’s entire career spanning nearly 70 years. The composer’s songs bear the impressions of major events of his whole life and the atmosphere of his times, leading to the themes of parting and death heard in his Four Last Songs. Each of the songs is a perfectly polished gem, the beauty of which is enhanced by the extraordinarily harmonious interplay of the two artists.

Reviews

The Guardian

“Highlights on the way include a sparkling Ständchen, a performance of Waldseligkeit full of impossibly long vocal lines, and one of Morgen in which the simple eloquence of Hrůša’s piano playing in the postlude is enough to make time stop. – 4/5