Harmonische Freude: Works for Baroque Oboe, Trumpet and Chamber Organ

14,00

1 CD 

Κλασική Μουσική 

Chandos

28 Ιουλίου 2020Ερώτηση για το προϊόν

Περιγραφή

095115080924

Καλλιτέχνες

Peter Hagen (Chamber Organ), Simon Desbruslais (Trumpet), Jane Downer (Oboe)

Contents Krebs, J L: Fantasia in C Major on Wachet auf (arr. for oboe, trumpet and organ) Krebs, J L: Jesu, meine Freude – Praeambulum /Peter Hagen (chamber organ) Krebs, J L: Chorale Prelude, “Jesu, meine Freude” (arr. for oboe, trumpet and organ)

Bach, J S: Fantasia super Jesu, meine Freude, BWV 713a (arr. for oboe d’amore and organ) Jesu meine Freude, Choral alio modo

Homilius: Chorale Prelude, “Nun freut euch, lieben Christen gemein” (arr. for oboe, trumpet and organ) Homilius: Oboe Sonata in F Major, HoWV XI.1 /Jane Downer (baroque oboe), Peter Hagen (chamber organ)

Krebs, J L: Chorale Prelude, “Nun freut euch, lieben Christen gmein” (arr. for oboe d’amore and organ) Jane Downer (oboe d’amore), Peter Hagen (chamber organ)

Tag: Nun danket alle Gott /Jane Downer (baroque oboe), Peter Hagen (chamber organ)

Bach, J S: Trio Sonata No. 3 in D minor, BWV527

Kauffmann, G: Chorale Prelude, “Ach Gott, vom Himmel sieh darein” (arr. for oboe, trumpet and organ)

Krebs, J L: Fantasia in G Minor /Jane Downer (baroque oboe), Peter Hagen (chamber organ)

Kauffmann, G: Chorale Prelude, “Gelobet seist du, Jesu Christ” (arr. for oboe, trumpet and organ) Kauffmann, G: Chorale Prelude, “Wie schon leuchtet der Morgenstern” (arr. for oboe, trumpet and organ)

Harmonische Freude features chamber music by Johann Sebastian Bach and his extended circle, played on historical instruments by Austral Harmony, an ensemble of Australian musicians who specialise in music of the 18th century. The group fosters a particular interest in the works of Johann Sebastian Bach, and presents innovatively designed programmes promoting less familiar repertoire. This is its first recording on Chandos.

Using the sustained tone of a small pipe organ alongside baroque oboe and trumpet, the musicians create an impression of intimacy and a pleasing variety of sonority. Inspiration comes from Georg Friedrich Kauffmann’s concept of having an oboist imitate an organ stop by playing from the organ loft. Bach employed Lutheran chorales exhaustively throughout his choral and organ works; his pupils Krebs and Homilius composed chorale adaptations which included oboe and trumpet in a solo role. Four different trumpets and an oboe d’amore lend expressivity to the various hymn tunes which are a focal point of the disc. The musical idiom of other associates and pupils of Bach reflects the progressive and predominantly melodic galant style which ushered in the musical ideals of the Classical era.

Harmonische Freude features chamber music by Johann Sebastian Bach and his extended circle, played on authentic period instruments by Austral Harmony.

Taking its name from an early collection of Australian poetry, the Australian ensemble, specialists in eighteenth-century music, presents innovatively designed programmes and promote less familiar repertoire. This is its first recording on Chandos.

Using the sustained tone of a small pipe organ alongside baroque oboe and trumpet, the musicians create an impression of intimacy and pleasing variety of sonority. Inspiration comes from the organ preludes in Kauffmann’s collection Harmonische Seelenlust musikalischer Gönner und Freunde, which specifies the use of an oboe placed so as to give the impression that it is an organ stop. This type of musical form enjoyed a transient existence in central Germany during the mid-eighteenth century. Kauffmann’s pupil Tag then illustrated the emerging Empfindsamkeit (‘expressive’ style) that ushered in the musical ideals of the classical era.

Krebs and Homilius were amongst the pupils of Bach, and aspired to perpetuate the tradition of their great teacher who had employed Lutheran chorales exhaustively throughout his choral and organ works; both produced chorale adaptations which included oboe and trumpet.

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