Περιγραφή
Wolfgang Amadeus Mozart:Abendempfindung an Laura, K523Bei Männern, welche Liebe fühlen (from Die Zauberflöte) (Pamina & Papageno's duet)Das Traumbild, K.530Deh, vieni alla finestra (From Don Giovanni)Der Vogelfänger bin ich, ja (from Die Zauberflöte)Die ihr des unermeßlichen Weltfalls – Kantate, K619Fin ch'han dal vino (from Don Giovanni) (Champagne Aria)Hai gia vinta la causa! (from Le nozze di Figaro)Komm, liebe Zither, K351La ci darem la mano (from Don Giovanni)Madamina, il catalogo è questo (from Don Giovanni) (Catalogue aria)Mentre ti lascio, K513Non piu andrai, farfallone amoroso (from Le Nozze di Figaro)Rivolgete a lui lo sguardo (from Così fan tutte)Signor! Cosa bramate? … Crudel! perché finora (from Le nozze di Figaro)Tutto e disposto…Aprite un po' quegl'occhi (from Le Nozze di Figaro)Vedro mentr'io sospiro (from Le nozze di Figaro) (Count's aria)
Καλλιτέχνες
André Schuen (Baritone)
Αναλυτική Παρουσίαση
Wolfgang Amadeus Mozart:Abendempfindung an Laura, K523Fin ch'han dal vino (from Don Giovanni) (Champagne Aria)Hai gia vinta la causa! (from Le nozze di Figaro)Madamina, il catalogo è questo (from Don Giovanni) (Catalogue aria)Mentre ti lascio, K513Non piu andrai, farfallone amoroso (from Le Nozze di Figaro)Rivolgete a lui lo sguardo (from Così fan tutte)Tutto e disposto…Aprite un po' quegl'occhi (from Le Nozze di Figaro)Vedro mentr'io sospiro (from Le nozze di Figaro) (Count's aria)
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The album celebrates Schuen’s deep and longstanding relationship to the composer and his birth- and creative place Salzburg. On the album, Schuen is joined by the Mozarteum orchestra of Mozart’s hometown Salzburg with its chief conductor Roberto Gonzáles-Monjas, and further collaborates with mandolinist Avi Avital, pianist Daniel Heide and soprano Nikola Hillebrand. “This album is conceived as my personal journey with Mozart’s music,” Schuen states. “I didn’t just want to present a list of Mozart’s arias for baritone and bass. Instead, I wanted to create interesting links and transitions that would draw the listeners in and establish a dramatic arc for the sequence as a whole.” |
