Vikingur Olafsson – Mozart & Contemporaries (Black Vinyl Edition 180g)

35,00

2 LP 

Κλασική Μουσική 

Deutsche Grammophon

New!

7 Σεπτεμβρίου 2021

Εξαντλημένο

Ερώτηση για το προϊόν

Περιγραφή

028948605262

Καλλιτέχνες

Víkingur Ólafsson (Piano)

Contents

LP 1

Galuppi: Piano Sonata No. 9 in F Minor, I. Andante Spiritoso (Piano Sonata No. 9 in F Minor)

Wolfgang Amadeus Mozart: Rondo in F Major, K. 494

Carl Philipp Emanuel Bach: Rondo II in D Minor, H. 290

Cimarosa: Sonata No. 42 in D Minor (Arr. Olafsson)

Wolfgang Amadeus Mozart: Fantasia in D Minor, K. 397 (Fragment)

Wolfgang Amadeus Mozart: Rondo in D Major, K. 485

Cimarosa: Sonata No. 55 in A Minor (Arr. Olafsson)

Wolfgang Amadeus Mozart: Piano Sonata No. 16 in C Major, K. 545 “Sonata facile”

Wolfgang Amadeus Mozart: Adagio in E Flat (Arr. ?lafsson from String Quintet No. 3 in G Minor, K. 516)

LP 2

Galuppi: Piano Sonata No. 34 in C Minor, I. Larghetto (Piano Sonata No. 2 in C Minor)

Wolfgang Amadeus Mozart: Piano Sonata No.14 in C minor, K.457

Wolfgang Amadeus Mozart: Kleine Gigue in G Major, K. 574

Joseph Haydn: Piano Sonata No. 47 In B Minor, H.Xvi No.32

Wolfgang Amadeus Mozart: Adagio in B Minor, K. 540

Wolfgang Amadeus Mozart: Ave verum corpus, K. 618 (Transcr. Liszt for Solo Piano)

Víkingur Ólafsson – “the new superstar of classical piano”, according to the Daily Telegraph – wowed the world with the release of his first three albums – Philip Glass Piano Works (2017), Johann Sebastian Bach (2018) and Debussy Rameau (2020). Now the award-winning Icelandic pianist turns his attention to the music of Mozart. On Mozart & Contemporaries, his fourth album for Deutsche Grammophon, Ólafsson views classical music through the prism of contemporary programming. He juxtaposes his favourite Mozart works, including the C minor Sonata K. 457 and the B minor Adagio K. 540, with pieces by outstanding contemporaries of the composer – music by Haydn, C. P. E. Bach and also the Italians Galuppi and Cimarosa, who are rarely heard in recordings. The Mozart works come from the composer’s last ten creative years, and it is these that fascinate Ólafsson: “In this phase Mozart not only brought the classical tradition to a climax, but also subverted it quite subtly … The shadows are darker, the nuances and ambiguities more profound.”

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