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Daniel Hope’s new double album Belle Époque, initially released as a Limited Deluxe Edition, combines popular and rare repertoire, which was written in the equally named “golden” period between the Franco-Prussian War and the beginning of World War I in 1914 in major European music nations. For Daniel Hope, the time of the “Belle Époque” has long been a great fascination: “I have often wished I had a time machine that could transport me back to this time, to the Parisian salons, to this cultural atmosphere Belle Époque combines works for solo and orchestra with chamber music; late romanticism stands next to impressionism and (early) music of the 2nd Viennese School. In world-famous works such as Massenet’s Méditation or Debussy’s Rêverie, Daniel Hope once again shows that great, warm violin tone that has established him in the top group of internationally renowned violinists. But Belle Époque also features rarely heard or almost unknown masterpieces by composers such as Schönberg, Rachmaninoff or Elgar, which also convey the warm, melancholy and sometimes bittersweet, design mood that often characterized the music of this period. For Daniel Hope, however, the key work on the album is Ernest Chausson’s Concerto for Violin, Piano and String Quartet, which he recorded here – with the Zurich Chamber Orchestra – for the first time in a version for string orchestra. Daniel Hope. “For me, this work embodies the musical quintessence of that time: the progressive tonality and at the same time the almost nostalgic need to go back in time and memory …” |