Kaleidoscope – An Orchestral Extravaganza


2 CD

Κλασική Μουσική

Australian Eloquence

Νέο!19 Ιουλίου 2021Ερώτηση για το προϊόν



Jean Sibelius

Finlandia, Op. 26

King Kristian II, incidental music, Op. 27: Elegie

King Kristian II, incidental music, Op. 27: Musette

Pelléas and Mélisande Suite, Op. 46: VIII. Entr’acte

Valse Triste, Op. 44 No. 1

Johannes Brahms

Hungarian Dance No. 1 in G minor

Hungarian Dance No. 20 in E minor

Hungarian Dance No. 21 in E minor

Johann (1804) Strauss

Radetsky March, Op. 228 (Radetzky Marsch)

Johann (1825) Strauss

Der Zigeunerbaron Overture (The Gypsy Baron)

Die Fledermaus Overture

Carl Maria von Weber

Abu Hassan Overture

Invitation to the Dance, Op. 65 (Aufforderung zum Tanze)

Jacques Offenbach

Can-Can (from Orpheus in the Underworld)

Orphée aux Enfers Overture (Orpheus in the Underworld)

Mikhail Glinka

Spanish Overture No. 1 ‘Capriccio brillante on the Jota Aragonese’

Edvard Hagerup Grieg

Lyric Pieces Op. 65: No. 6 – Wedding Day at Troldhaugen ( Hochzeitstag auf Troldhaugen, Bryllupsdag pa Troldhaugen, Jour de noces)

Nordic Melodies Op. 63: Cow-Call, Dance

Two Elegiac Melodies, Op. 34

Carl Otto Ehrenfried Nicolai

Die lustigen Weiber von Windsor overture (The Merry Wives of Windsor)

Franz von Suppe

Die Banditenstreiche Overture (Jolly Robbers)

Giacomo Meyerbeer

Le prophète: Coronation March

Bedrich Smetana

The Bartered Bride: Skocná – Dance of the Comedians

Piotr Ilyich Tchaikovsky

Cossack Dance (Hopak/Gopak) from Mazeppa

Ambroise Thomas

Mignon Overture


London Symphony Orchestra
Sir Charles Mackerras (Conductor)

Mercury, Philips and Decca recordings of orchestral pops conducted by the supremely versatile Sir Charles Mackerras, including a pair of Strauss overtures new to CD.

Few conductors, if any, have demonstrated the sheer versatility of Charles Mackerras. He could turn his sharp ear and his unfussy baton technique to every corner of classical repertoire, and early in his career, he conducted many recordings of popular ballet and symphonic repertoire for a range of record labels. The present collection revives the first-ever album he made for Decca in May 1958, of works by Grieg and Sibelius which were originally issued under RCA’s ‘Living Stereo’ livery.

The orchestra was probably the LSO, renamed for contractual reasons, but they were flying under their own banner three years later when they recorded an enterprising selection of overtures and showpieces with brilliantly lifelike Mercury Living Presence engineering. Issued as ‘Kaleidoscope’, these recordings were originally scheduled as fillers for the sessions of Sviatoslav Richter’s legendary Liszt concerto album, and indeed Nicolai’s overture to The Merry Wives of Windsor was actually taped while a new piano was being delivered to the venue at Richter’s demand.

This newly remastered collection is completed by two more rarities from the conductor’s long relationship with the LSO: incisive accounts of the overtures to Die Fledermaus and Der Zigeunerbaron, recorded for Philips in 1965 and long unavailable in any format, but distinguished by playing out of the top drawer.


“Mackerras has a way with this music. His performances are spirited, and he elicits crisp, clean sounds from the orchestra … A most faithful recording, with exceptionally naturalistic, resinous sounds from the strings.” High Fidelity, February 1963 (‘Kaleidoscope’)

“The performances reveal all the zest, colour and care for detail that have been a hallmark of Mackerras’s music-making ever since … The sound was in the demonstration bracket in its time and remains remarkable for its tangibility.” Gramophone, December 1995 (‘Kaleidoscope’)

‘Mackerras finds just the right touch.’ Fanfare, September 2006 (Grieg)

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