Wilhelm Kempff – Kempff Plays Mozart Vol. 2

17,50

2 CD 

Κλασική Μουσική 

Australian Eloquence

17 Ιουνίου 2022

Εξαντλημένο

Ερώτηση για το προϊόν / Product Inquiry

Περιγραφή

028948066483

Wolfgang Amadeus Mozart

Fantasia in C minor, K475

Fantasia in D minor, K397

Piano Concerto No. 15 in B flat major, K450

Piano Concerto No. 27 in B flat major, K595

Piano Concerto No. 9 in E-flat major, K271 “Jeunehomme”

Piano Sonata No. 11 in A major, K331 ‘Alla Turca’

Piano Sonata No. 8 in A minor, K310

Αναλυτική Παρουσίαση

Wolfgang Amadeus Mozart

Piano Concerto No. 9 in E-flat major, K271 “Jeunehomme”

Wilhelm Kempff (Piano), Members of "L'Orchestre de la Suisse Romande", Karl Münchinger (Μαέστρος)

Wolfgang Amadeus Mozart

Piano Concerto No. 15 in B flat major, K450

Wilhelm Kempff (Piano), Stuttgart Chamber OrchestraKarl Münchinger (Μαέστρος)

Wolfgang Amadeus Mozart

Piano Sonata No. 11 in A major, K331 ‘Alla Turca’

Fantasia in C minor, K475

Piano Sonata No. 8 in A minor, K310

Fantasia in D minor, K397

Wilhelm Kempff (Piano)

Wolfgang Amadeus Mozart

Piano Concerto No. 27 in B flat major, K595

Wilhelm Kempff (Piano), Berliner PhilharmonikerFerdinand Leitner (Μαέστρος)

All of Kempff’s post-war recordings of Mozart on two 2CD sets. The first comprises five piano concertos, while the second brings together three piano concertos, two sonatas and two Fantasias. The naturalness, expressive freedom, freshness and spontaneity of the music-making will always be treasured.

Reviews

‘almost anything played by this keyboard titan is worth hearing’ International Piano

‘poetry in almost every phrase’ Gramophone

‘Great performances, like great music, transcend history. Wilhelm Kempff, in his Mozart recital for DG in 1962 achieves miracles of beauty by means which are now frowned upon in certain circles but which are an object lesson in great piano-playing and great music-making: in phrasing at every level, in melodic inflection, finesse of rubato, pianistic colour as an agent of structure, in pedalling.’ Piano

‘The timbral bite and delicious registral differentiation characterising Lubin’s instruments was replicated on a modern grand piano when Wilhelm Kempff sat down to record a ravishing Mozart recital for DG in 1962 . . . Trills, turns and roulades caress the ear to the point where issues of “correct” style are irrelevant, while few pianists match the rhythmic kick of Kempff’s rolled chords in the Rondo alla turca. It’s also refreshing to hear the Fantasias (in D minor and C minor) sound more like unpressured improvisations than tortured soliloquies.’ Gramophone

Επιπλέον πληροφορίες

Βάρος 2 g