Pierre Boulez Conducts Debussy and Ravel

18,00

6 CD 

Κλασική Μουσική 

Deutsche Grammophon

28 Σεπτεμβρίου 2020

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028947903338

Claude Achille Debussy:Danses sacrée et profaneImages for orchestra: I. GiguesImages for orchestra: II. IbériaImages for orchestra: III. Rondes de PrintempsJeux – Poème danséLa MerLe Jet d'eau (from Cinq poèmes de Baudelaire)Printemps, suite for piano 4 hands or orchestra, L. 61Prélude à l'après-midi d'un faune (Prelude to The Afternoon of a Faun)Rhapsody for clarinet & piano (or orchestra), L. 116 'Première rapsodie'Trois Ballades de François VillonTrois Nocturnes
Maurice Ravel:Alborada del gracioso (orchestral version) (Assez vif)BoleroDaphnis et ChloéLa ValseLe Tombeau de CouperinMa Mère L'oye: Cinq Pièces EnfantinesMenuet antiquePavane pour une infante défunte (Pavane for a Dead Princess)Piano Concerto in D major (for the left hand) (Concerto pour la main gauche)Piano Concerto in G majorRapsodie EspagnoleShéhérazadeUne barque sur l'océan (orchestral version)Valses nobles et sentimentales

Αναλυτική Παρουσίαση

Claude Achille Debussy:Images for orchestra: I. GiguesImages for orchestra: II. IbériaImages for orchestra: III. Rondes de PrintempsJeux – Poème danséLa MerPrintemps, suite for piano 4 hands or orchestra, L. 61Prélude à l'après-midi d'un faune (Prelude to The Afternoon of a Faun)
Maurice Ravel:Le Tombeau de CouperinMenuet antiquePavane pour une infante défunte (Pavane for a Dead Princess)Valses nobles et sentimentales
Cleveland Orchestra (Ορχήστρα)Pierre Boulez (Μαέστρος)
Claude Achille Debussy:Trois Nocturnes
Ladies of the Cleveland Orchestra Chorus (Χορωδία)
Cleveland Orchestra (Ορχήστρα)Pierre Boulez (Μαέστρος)
Claude Achille Debussy:Rhapsody for clarinet & piano (or orchestra), L. 116 'Première rapsodie'
Franklin Cohen (Clarinet)
Cleveland Orchestra (Ορχήστρα)Pierre Boulez (Μαέστρος)
Maurice Ravel:Shéhérazade
Anne Sofie von Otter (Mezzo-Soprano)
Cleveland Orchestra (Ορχήστρα)Pierre Boulez (Μαέστρος)
Claude Achille Debussy:Danses sacrée et profane
Lisa Wellbaum (Harp)
Cleveland Orchestra (Ορχήστρα)Pierre Boulez (Μαέστρος)
Claude Achille Debussy:Le Jet d'eau (from Cinq poèmes de Baudelaire)Trois Ballades de François Villon
Alison Hagley (Soprano)
Cleveland Orchestra (Ορχήστρα)Pierre Boulez (Μαέστρος)
Maurice Ravel:Alborada del gracioso (orchestral version) (Assez vif)BoleroLa ValseMa Mère L'oye: Cinq Pièces EnfantinesRapsodie EspagnoleUne barque sur l'océan (orchestral version)
Berliner Philharmoniker (Ορχήστρα)Pierre Boulez (Μαέστρος)
Maurice Ravel:Daphnis et Chloé
Rundfunkchor Berlin (Χορωδία)
Berliner Philharmoniker (Ορχήστρα)Pierre Boulez (Μαέστρος)
Maurice Ravel:Piano Concerto in G major
Krystian Zimerman (Piano)
Cleveland Orchestra (Ορχήστρα)Pierre Boulez (Μαέστρος)
Maurice Ravel:Piano Concerto in D major (for the left hand) (Concerto pour la main gauche)
Krystian Zimerman (Piano)
London Symphony Orchestra (Ορχήστρα)Pierre Boulez (Μαέστρος)

Pierre Boulez conducts Debussy and Ravel

This 6 CD Edition presents Pierre Boulez’s recordings of the two French composers on Deutsche Grammophon: DIE Edition for the anniversary year 2012, in which Claude Debussy celebrates his 150th birthday and Maurice Ravels his 75th.

“In Ma mere, he is among the master magicians: subtleties of nuance and timing (previously in short supply) now abound; here is playing of a wholly different order of grace and beauty, not the kind that lingers in passages in danger of becoming too exquisite to bear, nor the kind that parades the score’s exoticism. In the Spanish items, some may find the Berlin woodwinds too cultured in tone and artful in phrasing for their various improvisatory solos: it is rare (and initially unsettling) to hear the first few minutes’ solos in Bolero quite as strongly contoured as this (they are, too, predictably legato; do these players ever draw breath?). I found myself craving a hint of abandon from the brass, particu larly in the le plusfpossible (6’l 0”, horns and trumpets) in the “Féria” from the Rapsodie; and here and in the Alborada, as before, tempos remain slower than average (the “Habanera” is utterly hypnotic), strikingly so in the “Féria” which now, quite aptly, sounds as much like Chabrier as Ravel: festive as opposed to driven and explosive. (Gramophne)

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