Honey from the Hive: Songs by John Dowland for his Elizabethan Patrons

15,00

1 SACD 

Classical Music 

Bis

16 May 2022

In stock

Product Enquiry

Description

7318599914756

Artists

Emma Kirkby (Soprano)Anthony Rooley (Lute)

Dowland, John (1563-1626):

Can she excuse my wrongs? (First Booke of Songes, 1597) Can shee excuse

O sweet woods

Book of Songs, Book 3: It was a time when silly bees could speak – It was a time

I saw my Lady weepe

Flow my teares (Lacrimæ)

Sorrow, stay

Book of Songs, Book 2: Die not before thy day

Mourne, mourne, day is with darknesse

Fine knacks for ladies

Book of Songs, Book 3: Farewell, too fair

Time stands still

Book of Songs, Book 3: Behold a wonder here

Book of Songs, Book 3: Daphne was not so chaste as she was changing

Me, me, and none but me

Book of Songs, Book 3: When Phoebus first did Daphne love

Say love if ever thou didst find

The First Booke of Songes: His golden locks time hath to silver turned

Book of Songs, Book 2: Time’s eldest son

Book of Songs, Book 4: “A Pilgrimes Solace”: Far from triumphing court

If the court of Elizabeth I could be compared to a bee-hive, John Dowland was one of its workers, tirelessly bringing in news from the Continent which he constantly visited, and as tirelessly producing the spiritual sustenance vital for the court’s existence. It is this honey that Emma Kirkby and Anthony Rooley have gathered in an imaginative recital that focuses on Dowland’s relationship to his various patrons – among them Elizabeth I and the Earl of Essex. Ever since the 1970s Dowland has been a constant companion and golden thread for Emma Kirkby and Anthony Rooley, both as members of The Consort of Musicke, and in their separate careers. Now they return to him together, and their pleasure in doing so is evident. In her opening notes, Emma Kirkby explains why this music continues to fascinate her: ‘It speaks of anguish, delight and ineffable beauty, allowing the singer freedom to embody thoughts and emotions which listeners have recognized and shared ever since! Is it any wonder that returning to Dowland always feels like coming home?’ And in his liner notes, Rooley describes how Dowland responded to his patron’s – ‘sometimes with humour, or with pathos, or in complex narrative, but anyway, always with creative dialogue’ – and relishes the opportunity of recording ‘a “mature Dowland”, revisiting works known and loved for more than 35 years.’ Kirkby and Rooley first appeared together on a BIS disc in 1985, performing madrigals from the court of Christian IV of Denmark (incidentally another of Dowland’s patrons) and their most recent collaboration was on Classical Kirkby – a disc which one reviewer described as ‘essential listening for all admirers of English song.’ Extending the invitation to all music-lovers, the same applies to the present disc!

Gramophone: outstanding; Music Web International: outstanding.