Henry Purcell: Music for the Stage – John Eliot Gardiner

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9 CD 

Classical Music 

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1 April 2022

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190296416231

Henry Purcell

Come ye sons of art (Ode for Queen Mary’s birthday, 1694), Z 323

Dioclesian, Z. 627

Hail! Bright Cecilia (Ode for St Cecilia’s Day 1692), Z328

Hear my prayer, O Lord, Z15

In the midst of life, Z 17a

Jehova, quam multi sunt hostes mei, Z135

King Arthur, Z. 628

Man that is born of a woman, Z27

March and Canzona for Queen Mary’s Funeral, Z. 860

My beloved spake, Z28

O God, thou hast cast us out, Z36

The Indian Queen, Z630

The Tempest, Z631 (The Enchanted Island)

Thou know’st, Lord, Z 58c

Timon of Athens, Z632

Details

Henry Purcell

The Tempest, Z631 (The Enchanted Island)

Stephen Varcoe (Baritone), David Thomas (Bass), John Elwes (Tenor), Jennifer Smith (Soprano), Roderick Earle (Bass), Rosemary Hardy (Soprano), Monteverdi Choir, The Monteverdi OrchestraSir John Eliot Gardiner (Conductor)

Henry Purcell

The Indian Queen, Z630

Martyn Hill (Tenor), David Thomas (Bass), John Elwes (Tenor), Jennifer Smith (Soprano), Ashley Stafford (Counter-Tenor), Rosemary Hardy (Soprano), English Baroque Soloists, Monteverdi Choir, Sir John Eliot Gardiner (Conductor)

Henry Purcell

Dioclesian, Z. 627

Michael George (Bass), Lynne Dawson (Soprano), Stephen Varcoe (Baritone), Rogers Covey-Crump (Tenor), Paul Elliott (Tenor), Gillian Fisher (Soprano), English Baroque Soloists, Monteverdi Choir, Sir John Eliot Gardiner (Conductor)

Henry Purcell

Timon of Athens, Z632

Michael George (Bass), Lynne Dawson (Soprano), Stephen Varcoe (Baritone), Rogers Covey-Crump (Tenor), Paul Elliott (Tenor), Gillian Fisher (Soprano), English Baroque Soloists, Monteverdi Choir, Sir John Eliot Gardiner (Conductor)

Henry Purcell

Hail! Bright Cecilia (Ode for St Cecilia’s Day 1692), Z328

Stephen Varcoe (Baritone), David Thomas (Bass), Jennifer Smith (Soprano), Brian Gordon (Counter-Tenor), Paul Elliott (Tenor), Ashley Stafford (Counter-Tenor), English Baroque Soloists, Monteverdi Choir, Sir John Eliot Gardiner (Conductor)

Henry Purcell

Hear my prayer, O Lord, Z15

Monteverdi Choir, Sir John Eliot Gardiner (Conductor)

Henry Purcell

King Arthur, Z. 628

Stephen Varcoe (Baritone), Paul Elliott (Tenor), Ashley Stafford (Counter-Tenor), Elisabeth Priday (Soprano), Gillian Fisher (Soprano), English Baroque Soloists, Monteverdi Choir, Sir John Eliot Gardiner (Conductor)

Henry Purcell

Come ye sons of art (Ode for Queen Mary’s birthday, 1694), Z 323

Thomas Allen (Bass-Baritone), Dame Felicity Lott (Soprano), John Williams (Counter-Tenor), Charles Brett (Counter-Tenor), Equale Brass Ensemble, Monteverdi Choir, The Monteverdi OrchestraSir John Eliot Gardiner (Conductor)

Henry Purcell

In the midst of life, Z 17a

March and Canzona for Queen Mary’s Funeral, Z. 860

Equale Brass Ensemble, Monteverdi Choir, The Monteverdi OrchestraSir John Eliot Gardiner (Conductor)

Henry Purcell

Man that is born of a woman, Z27

Monteverdi Choir, The Monteverdi OrchestraSir John Eliot Gardiner (Conductor)

Henry Purcell

Thou know’st, Lord, Z 58c

Thomas Allen (Bass-Baritone), Dame Felicity Lott (Soprano), John Williams (Counter-Tenor), Charles Brett (Counter-Tenor), Equale Brass Ensemble, Monteverdi Choir, The Monteverdi OrchestraSir John Eliot Gardiner (Conductor)

Henry Purcell

Jehova, quam multi sunt hostes mei, Z135

John Tomlinson (Bass), Maldwyn Davies (Tenor), English Baroque Soloists, Monteverdi Choir, Sir John Eliot Gardiner (Conductor)

Henry Purcell

My beloved spake, Z28

Stephen Varcoe (Baritone), Charles Brett (Counter-Tenor), Roderick Earle (Bass), Wynford Evans (Tenor), English Baroque Soloists, Monteverdi Choir, Sir John Eliot Gardiner (Conductor)

Henry Purcell

O God, thou hast cast us out, Z36

Christopher Robson (Counter-Tenor), Maldwyn Davies (Tenor), Elisabeth Priday (Soprano), Gillian Fisher (Soprano), Owen Grundy (Bass-Baritone), English Baroque Soloists, Monteverdi Choir, Sir John Eliot Gardiner (Conductor)

As John Eliot Gardiner converted his Monteverdi Orchestra to early instruments in the mid-1970s and renamed it the English Baroque Soloists, he engaged his magnificent instrumentalists, choir and a host of first-class soloists in the most emblematic works by “the Greatest Genius we [England] ever had”: Henry Purcell! he reception was unanimously enthusiastic and led Diapason to say: “Gardiner’s reading of Purcell, dramatic, hyper-refined, sometimes burning, overwhelming, at all times enchanting, cannot escape the discography of the enlightened music lover. Purcell himself is there!”.

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